In this landmark work of critical theory, black studies, and visual culture studies, Alessandra Raengo boldly reads race as a theory of the image. By placing emphasis on the surface of the visual as the repository of its meaning, race presents the most enduring ontological approach to what images are, how they feel, and what they mean. Having established her theoretical concerns, the author's eclectic readings of various artifacts of visual culture, fine arts, cinema, and rhetorical tropes provoke and destabilize readers' visual comfort zone, forcing them to recognize the unstated racial aspects of viewing and the foundational role of race in informing the visual.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
ALESSANDRA RAENGO is an assistant professor of moving image studies in the Department of Communications at Georgia State University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : New. An investigation of race and the ontology of the visual Num Pages: 240 pages, 40 illus. BIC Classification: JFC; JFD. Category: (G) General (US: Trade). Dimension: 229 x 152 x 18. Weight in Grams: 386. . 2013. paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur 9781584659747
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. An investigation of race and the ontology of the visual Num Pages: 240 pages, 40 illus. BIC Classification: JFC; JFD. Category: (G) General (US: Trade). Dimension: 229 x 152 x 18. Weight in Grams: 386. . 2013. paperback. . . . . N° de réf. du vendeur 9781584659747
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