Great Expectations - Couverture souple

Dickens, Charles

Couverture souple

ISBN 10 : 1586174266 ISBN 13 : 9781586174262

Editeur : Ignatius Press, 2010

Synopsis

Pope John Paul I described Dickens' books as "filled with love for the poor and a sense of social regeneration . . . Warm with imagination and humanity". Such true charity permeates Dickens' novels and ultimately drives the characters either to choose regeneration or risk disintegration. In Great Expectations, Pip--symbolic of the pilgrim convert--gains both improved fortunes and a growth in wisdom, but as he acquires the latter, he must relinquish the former--ending with a wealth of profound goodness, not of worldly goods.

That the Dickensian message was a Christian one is unmistakable. Reminiscent of an Augustinian model, one of reflection, conversion, and moral improvement, Pip undergoes an internal change that manifests itself in his profound contrition for his earlier deeds and his equally profound resolution to make amends. As we travel with Pip, we find that Dickens leads us to an acceptance of worldly limitations and an anticipation of final salvation.

The exciting new edition of Dickens's classic novel includes critical essays by some of today's leading Dickens scholars.

The Ignatius Critical Editions represent a tradition-oriented alternative to popular textbook series such as the Norton Critical Editions or Oxford World Classics, and are designed to concentrate on traditional readings of the Classics of world literature. While many modern critical editions have succumbed to the fads of modernism and post-modernism, this series will concentrate on tradition-oriented criticism of these great works.
Edited by acclaimed literary biographer, Joseph Pearce, the Ignatius Critical Editions will ensure that traditional moral readings of the works are given prominence, instead of the feminist, or deconstructionist readings that often proliferate in other series of 'critical editions'. As such, they represent a genuine extension of consumer-choice, enabling educators, students and lovers of good literature to buy editions of classic literary works without having to 'buy into' the ideologies of secular fundamentalism.

The series is ideal for anyone wishing to understand great works of western civilization, enabling the modern reader to enjoy these classics in the company of some of the finest literature professors alive today.\

Contributors to this volume:
Raimund Borgmeier
Crystal Downing
Anthony Esolen
Michael Hanke
Mitchell Kalpakgian
Jill Kriegel
Robert P. Lewis
Regis Martin

A propos du livre

Extrait

Chapter I.
My father's family name being Pirrip, and my christian name Philip, my infant tongue could make of both names nothing longer or more explicit than Pip. So, I called myself Pip, and came to be called Pip.

I give Pirrip as my father's family name, on the authority of his tombstone and my sister – Mrs. Joe Gargery, who married the blacksmith. As I never saw my father or my mother, and never saw any likeness of either of them (for their days were long before the days of photographs), my first fancies regarding what they were like, were unreasonably derived from their tombstones. The shape of the letters on my father's, gave me an odd idea that he was a square, stout, dark man, with curly black hair. From the character and turn of the inscription, "Also Georgiana Wife of the Above," I drew a childish conclusion that my mother was freckled and sickly. To five little stone lozenges, each about a foot and a half long, which were arranged in a neat row beside their grave, and were sacred to the memory of five little brothers of mine – who gave up trying to get a living exceedingly early in that universal struggle – I am indebted for a belief I religiously entertained that they had all been born on their backs with their hands in
their trousers-pockets, and had never taken them out in this state of existence.

Ours was the marsh country, down by the river, within as the river wound, twenty miles of the sea. My first most vivid and broad impression of the identity of things, seems to me to have been gained on a memorable raw afternoon towards evening. At such a time I found out for certain, that this bleak place overgrown with nettles was the churchyard; and that Philip Pirrip, late of this parish, and also Georgiana wife of the above, were dead and buried; and that Alexander, Bartholomew, Abraham, Tobias, and Roger, infant children of the aforesaid, were also dead and buried; and that the dark flat wilderness beyond the churchyard, intersected with dykes and mounds and gates, with scattered cattle feeding on it, was the marshes; and that the low leaden line beyond was the river; and that the distant savage lair from which the wind was rushing, was the sea; and that the small bundle of shivers growing afraid of it all and beginning to cry, was Pip.

"Hold your noise!" cried a terrible voice, as a man started up from among the graves at the side of the church porch. "Keep still, you little devil, or I'll cut your throat!"

A fearful man, all in coarse grey, with a great iron on his leg. A man with no hat, and with broken shoes, and with an old rag tied round his head. A man who had been soaked in water, and smothered in mud, and lamed by stones, and cut by flints, and stung by nettles, and torn by briars; who limped, and shivered, and glared and growled; and whose teeth chattered in his head as he seized me by the chin.

"Oh! Don't cut my throat, sir," I pleaded in terror. "Pray don't do it, sir."

"Tell us your name!" said the man. "Quick!"

"Pip, sir."

"Once more," said the man, staring at me. "Give it mouth!"

Biographie de l'auteur

Charles John Huffam Dickens (7 February 1812 – 9 June 1870) was an English writer and social critic. He created some of the world's most well-known fictional characters and is generally regarded as the greatest novelist of the Victorian period. During his life, his works enjoyed unprecedented popularity, and by the twentieth century he was widely seen as a literary genius by critics and scholars. His novels and short stories continue to be widely popular. Born in Portsmouth, England, he was forced to leave school to work in a factory when his father was thrown into debtors' prison. In May 1846 Angela Burdett Coutts, heir to the Coutts banking fortune, approached him about setting up a home for the redemption of fallen women of the working class. Coutts envisioned a home that would replace the punitive regimes of existing institutions with a reformative environment conducive to education and proficiency in domestic household chores. After initially resisting, Dickens eventually founded the home, named "Urania Cottage", in the Lime Grove section of Shepherds Bush, which he managed for ten years, setting the house rules, reviewing the accounts and interviewing prospective residents. Emigration and marriage were central to Dickens's agenda for the women on leaving Urania Cottage, from which it is estimated that about 100 women graduated between 1847 and 1859. On 9 June 1865, while returning from Paris with Ternan, he was involved in the Staplehurst rail crash. The first seven carriages of the train plunged off a cast iron bridge that was under repair. The only first-class carriage to remain on the track was the one in which he was travelling. He later used this experience as material for his short ghost story, "The Signal-Man", in which the central character has a premonition of his own death in a rail crash. On 8 June 1870, he suffered a stroke at his home after a full day's work on Edwin Drood. He never regained consciousness, and the next day, on 9 June, five years to the day after the Staplehurst rail crash, he died at Gad's Hill Place. Although he had little formal education, over his career he edited a weekly journal for 20 years, wrote 15 novels, five novellas and hundreds of short stories and non-fiction articles, lectured and performed extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, education, and other social reforms.

Détails de l'édition

• Éditeur: Ignatius Press
• Date d'édition: 2010
• Langue: anglais
• ISBN 10: 1586174266
• ISBN 13: 9781586174262
• Reliure: Broché
• Nombre de pages: 680
• Éditeur: Kriegel Jill
• Coordonnées du fabricant: non disponible
• Personne responsable: non disponible