By the end of the nineteenth century, Ralph Waldo Emerson was well on his way to becoming the &;Wisest American&; and the &;Sage of Concord,&; a literary celebrity and a national icon. With that fame came what Robert Habich describes as a blandly sanctified version of Emerson held widely by the reading public. Building Their Own Waldos sets out to understand the dilemma faced by Emerson&;s early biographers: how to represent a figure whose subversive individualism had been eclipsed by his celebrity, making him less a representative of his age than a caricature of it.   Drawing on never-before-published letters, diaries, drafts, business records, and private documents, Habich explores the making of a tural hero through the stories of Emerson&;s first biographers&; George Willis Cooke, a minister most recently from Indianapolis who considered himself a disciple; the English reformer and newspaper mogul Alexander Ireland, a friend for half a century; Moncure D. Conway, a Southern abolitionist then residing in London, who called Emerson his &;spiritual father and intellectual teacher&;; the poet and medical professor Oliver Wendell Holmes, with Emerson a member of Boston&;s gathering of literary elite, the Saturday Club; James Elliot Cabot, the family&;s authorized biographer, an architect and amateur philosopher with unlimited access to Emerson&;s unpublished papers; and Emerson&;s son Edward, a physician and painter whose father had passed over him as literary executor in favor of Cabot.   Just as their biographies reveal a complex, socially engaged Emerson, so too do the biographers&; own stories illustrate the real-world perils, challenges, and motives of life-writing in the late nineteenth century, when biographers were routinely vilified as ghoulish and disreputable and biography as a genre underwent a profound redefinition.
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