The tintype, patented in 1856, was a cheap, fast, easy-to-make, practically indestructible type of photograph that became enormously popular among the working class in the late nineteenth century. For common laborers and their families, the opportunity to join the ranks of those who owned pictures of family and friends-the upper classes-was momentous. This collection exhibits more than eighty examples of a specific kind of tintype: occupational portraits, photographs of working people with the tools of their trade. Michael L. Carlebach examines the historical significance of these tintypes and finds that they reveal a great deal about late nineteenth-century values. The subjects of these images are plumbers proudly holding their wrenches and pipe cutters, carpenters with their saws and lathing hatchets, textile workers with their spindles and yarn, icemen with their tongs. These people lived and worked at a time when a depersonalized factory system run by production and efficiency experts was beginning to dominate American industry and culture. Many of the men and women in these tintypes were part of a disappearing class of self-employed artisans and journeymen; their portraits proudly stress their individuality and the essential nobility of their work. The most common reaction of historians to tintypes has been undisguised contempt or, at best, indifference. The photographs were generally seen as hopelessly unartistic and common. Yet Carlebach celebrates these anonymous portraits and finds that they say as much about today's working Americans-who are much more likely to document their toys and leisure activities than their professions-as they do about the working men and women who proudly sat for them in a much different age.
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Michael L. Carlebach's most recent book is American Photojournalism Comes of Age (Smithsonian, 1997). He is a professor in the Department of Art and Art History at the University of Miami, Florida.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : VG-. Etat de la jaquette : Very Good. used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. shimmery finish to jacket is a bit dull from shelfwear. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws. N° de réf. du vendeur 1379278
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Vendeur : SatelliteBooks, Burlington, VT, Etats-Unis
hardcover. Etat : Very Good. Hardcover. Very Good / Very Good dust jacket. Free of any markings and no writings inside. Clear Text. Minor shelf-wear. For any additional information or pictures, please inquire. N° de réf. du vendeur 230822015
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Vendeur : THE PRINTED GARDEN, ABA, MPIBA, SANDY, UT, Etats-Unis
Hard Cover. Etat : NF. Etat de la jaquette : NF. First Edition, First Printing. Duodecimo. Light brown cloth covered boards and spine with dark brown lettering on the spine. Book has a nearly uinnoticable bump at the head and tail of the spine. White endpapers. Binding is straight and tight. Pages are all clean, white, and crisp. 130 pages. Illustrated throughout with a handsome gallery of tintypes. Dust Jacket - has a nearly unnoticable trace of rubbing at the extreme tips of a couple of the corners - otherwise clean, shiny, and sharp. N° de réf. du vendeur 009359
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Vendeur : SatelliteBooks, Burlington, VT, Etats-Unis
hardcover. Etat : Very Good. Hardcover. Very Good / Very Good dust jacket. Free of any markings and no writings inside. Clear Text. Minor shelf-wear. For any additional information or pictures, please inquire. N° de réf. du vendeur 230717011
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Vendeur : Leahi Books, Olalla, WA, Etats-Unis
Hardcover. Etat : As New. Etat de la jaquette : As New. 1st Edition. Working Stiffs: Occupational Portraits in the Age of Tintypes Michael L. Carlebach HB 2002 Smithsonian Institution Press First Edition ISBN 1588340678 AS NEW, very clean, no defects, dust jacket protected in archival mylar. N° de réf. du vendeur PH2-CAR-300
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