Une exploration des affiches littéraires américaines de la fin du XIXe siècle, un genre dynamique à l'avant-garde de l'art commercial et de la conception graphique modernes. Stimulée par les innovations de la technologie de l'impression, l'affiche publicitaire moderne est apparue dans les années 1890 comme une forme populaire de culture visuelle aux États-Unis. Créées par certains des illustrateurs et graphistes les plus connus de l'époque - notamment William H. Bradley, Florence Lundborg, Edward Penfield, Maxfield Parrish et Ethel Reed -, ces publicités pour des livres et des périodiques de haut niveau tels que Harper's et Lippincott's dépassaient le cadre de l'art commercial, incorporant une imagerie audacieuse et stylisée ainsi qu'une typographie frappante. Cet ouvrage, qui s'appuie sur la célèbre collection Leonard A. Lauder, explore l'engouement pour les affiches littéraires, qui sont devenues des objets de collection très recherchés, même à l'époque. Il offre de nouvelles perspectives scientifiques qui abordent la sophistication esthétique et la modernité de l'affiche littéraire, l'impact des premières expériences dans le domaine de la psychologie publicitaire, les possibilités accrues offertes aux femmes artistes, qui ont joué un rôle important dans l'évolution du style dit de l'affiche, et les techniques d'impression que les artistes ont utilisées dans cette nouvelle forme d'art.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Allison Rudnick is associate curator in the Department of Drawings and Prints at The Metropolitan Museum of Art, New York. Jennifer A. Greenhill is Endowed Professor of American Art at the University of Arkansas, Fayetteville. Rachel Mustalish is Sherman Fairchild Conservator in Charge of the Department of Paper Conservation at The Metropolitan Museum of Art, New York. Shannon Vittoria is assistant curator in the American Wing at The Metropolitan Museum of Art, New York.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : Good. An exploration of late nineteenth-century American literary postersa vibrant genre at the vanguard of modern commercial art and graphic design. N° de réf. du vendeur CIN1588397742G
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Hardcover. Etat : new. Hardcover. An exploration of late nineteenth-century American literary postersa vibrant genre at the vanguard of modern commercial art and graphic design Spurred by innovations in printing technology, the modern poster emerged in the 1890s as a popular form of visual culture in the United States. Created by some of the best-known illustrators and graphic designers of the period including Will H. Bradley, Florence Lundborg, Edward Penfield, and Ethel Reed these advertisements for books and high-tone periodicals such as Harper's and Lippincott's went beyond the realm of commercial art, incorporating bold, stylized imagery and striking typography. This book, based on the renowned Leonard A. Lauder Collection, explores the craze for literary posters, which became sought after collectibles even in their day. It offers new scholarly perspectives that address the aesthetic sophistication and modernity of the literary poster; the impact of early experiments in the field of advertising psychology; the expanded opportunities for women artists, who played an important role in advancing the socalled poster style; and the printmaking techniques that artists employed in this novel art form. A lively survey of a little-known but highly influential period in graphic design, The Art of the Literary Poster is sure to delight enthusiasts of illustration, advertising, and book arts. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (March 7June 11, 2024) An exploration of late nineteenth-century American literary postersa vibrant genre at the vanguard of modern commercial art and graphic design Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781588397744
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Hardback. Etat : New. An exploration of late nineteenth-century American literary posters-a vibrant genre at the vanguard of modern commercial art and graphic design "Will thrill commercial art nerds and avid readers alike."-Nathalie Atkinson, Globe and Mail (Toronto), Gift Book Selection Spurred by innovations in printing technology, the modern poster emerged in the 1890s as a popular form of visual culture in the United States. Created by some of the best-known illustrators and graphic designers of the period-including Will H. Bradley, Florence Lundborg, Edward Penfield, and Ethel Reed-these advertisements for books and high-tone periodicals such as Harper's and Lippincott's went beyond the realm of commercial art, incorporating bold, stylized imagery and striking typography. This book, based on the renowned Leonard A. Lauder Collection, explores the craze for literary posters, which became sought after collectibles even in their day. It offers new scholarly perspectives that address the aesthetic sophistication and modernity of the literary poster; the impact of early experiments in the field of advertising psychology; the expanded opportunities for women artists, who played an important role in advancing the socalled poster style; and the printmaking techniques that artists employed in this novel art form. A lively survey of a little-known but highly influential period in graphic design, The Art of the Literary Poster is sure to delight enthusiasts of illustration, advertising, and book arts. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (March 7-June 11, 2024). N° de réf. du vendeur LU-9781588397744
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