In this much-anticipated sequel to his critically acclaimed Makers of Modern Architecture (2007)
longtime New York Review of Books contributor Martin Filler—“probably the best all-round architecture critic currently working in the United States,” according to the architectural journalist David Cohn—offers another penetrating series of concise but authoritative studies on leading exponents of the building art from the late nineteenth to the early twenty-first century. Exemplifying his belief that an architect’s personality and character have a direct and profound bearing on this most public and social of art forms, Filler’s lively melding of biographical and aesthetic perspectives gives these accessible yet scrupulously researched interpretations a rare human immediacy.
From profiles of such universally admired masters as Frank Lloyd Wright and Le Corbusier to emerging figures including Michael Arad, creator of New York City’s National September 11 Memorial, and the international design collaborative Snøhetta, Filler’s shifting focus remains consistently trained on the enduring values of great architecture. His panoramic vision encompasses the historically inspired Gilded Age urbanism of the celebrated New York bon vivant Stanford White as well as the expressive collages of ancient and modern elements orchestrated by the reclusive Venetian intellectual Carlo Scarpa. The increasing role of women in architecture is given special emphasis in this new collection, from the pioneering work in 1920s Germany of Margarete Schütte-Lihotzky, inventor of the standardized modern kitchen, to such innovative contemporary practitioners as Elizabeth Diller, Kazuyo Sejima, and Billie Tsien.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Martin Filler was the longtime architecture critic of House & Garden until it ceased publication in 2007. He is the co-author, with Olivier Boissière, of The Vitra Design Museum: Frank Gehry, Architect, and the author of Makers of Modern Architecture, Volume I, based on essays from The New York Review of Books. He is a fellow of the American Academy of Arts and Sciences.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Hardback. Etat : Good. In this much-anticipated sequel to his critically acclaimed Makers of Modern Architecture (2007) longtime New York Review of Books contributor Martin Filler-"probably the best all-round architecture critic currently working in the United States," according to the architectural journalist David Cohn-offers another penetrating series of concise but authoritative studies on leading exponents of the building art from the late nineteenth to the early twenty-first century. Exemplifying his belief that an architect's personality and character have a direct and profound bearing on this most public and social of art forms, Filler's lively melding of biographical and aesthetic perspectives gives these accessible yet scrupulously researched interpretations a rare human immediacy. From profiles of such universally admired masters as Frank Lloyd Wright and Le Corbusier to emerging figures including Michael Arad, creator of New York City's National September 11 Memorial, and the international design collaborative Sn hetta, Filler's shifting focus remains consistently trained on the enduring values of great architecture. His panoramic vision encompasses the historically inspired Gilded Age urbanism of the celebrated New York bon vivant Stanford White as well as the expressive collages of ancient and modern elements orchestrated by the reclusive Venetian intellectual Carlo Scarpa. The increasing role of women in architecture is given special emphasis in this new collection, from the pioneering work in 1920s Germany of Margarete Schütte-Lihotzky, inventor of the standardized modern kitchen, to such innovative contemporary practitioners as Elizabeth Diller, Kazuyo Sejima, and Billie Tsien. N° de réf. du vendeur 00105616372
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Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Hardback. Etat : Very Good. In this much-anticipated sequel to his critically acclaimed Makers of Modern Architecture (2007) longtime New York Review of Books contributor Martin Filler-"probably the best all-round architecture critic currently working in the United States," according to the architectural journalist David Cohn-offers another penetrating series of concise but authoritative studies on leading exponents of the building art from the late nineteenth to the early twenty-first century. Exemplifying his belief that an architect's personality and character have a direct and profound bearing on this most public and social of art forms, Filler's lively melding of biographical and aesthetic perspectives gives these accessible yet scrupulously researched interpretations a rare human immediacy. From profiles of such universally admired masters as Frank Lloyd Wright and Le Corbusier to emerging figures including Michael Arad, creator of New York City's National September 11 Memorial, and the international design collaborative Sn hetta, Filler's shifting focus remains consistently trained on the enduring values of great architecture. His panoramic vision encompasses the historically inspired Gilded Age urbanism of the celebrated New York bon vivant Stanford White as well as the expressive collages of ancient and modern elements orchestrated by the reclusive Venetian intellectual Carlo Scarpa. The increasing role of women in architecture is given special emphasis in this new collection, from the pioneering work in 1920s Germany of Margarete Schütte-Lihotzky, inventor of the standardized modern kitchen, to such innovative contemporary practitioners as Elizabeth Diller, Kazuyo Sejima, and Billie Tsien. N° de réf. du vendeur 00108226766
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Vendeur : BooksRun, Philadelphia, PA, Etats-Unis
Hardcover. Etat : Very Good. Illustrated. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. N° de réf. du vendeur 159017688X-8-1-29
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Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Hardcover. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G159017688XI4N10
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Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Hardcover. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G159017688XI4N10
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Hardback. Etat : Very Good. In this much-anticipated sequel to his critically acclaimed Makers of Modern Architecture (2007) longtime New York Review of Books contributor Martin Filler-"probably the best all-round architecture critic currently working in the United States," according to the architectural journalist David Cohn-offers another penetrating series of concise but authoritative studies on leading exponents of the building art from the late nineteenth to the early twenty-first century. Exemplifying his belief that an architect's personality and character have a direct and profound bearing on this most public and social of art forms, Filler's lively melding of biographical and aesthetic perspectives gives these accessible yet scrupulously researched interpretations a rare human immediacy. From profiles of such universally admired masters as Frank Lloyd Wright and Le Corbusier to emerging figures including Michael Arad, creator of New York City's National September 11 Memorial, and the international design collaborative Sn hetta, Filler's shifting focus remains consistently trained on the enduring values of great architecture. His panoramic vision encompasses the historically inspired Gilded Age urbanism of the celebrated New York bon vivant Stanford White as well as the expressive collages of ancient and modern elements orchestrated by the reclusive Venetian intellectual Carlo Scarpa. The increasing role of women in architecture is given special emphasis in this new collection, from the pioneering work in 1920s Germany of Margarete Schütte-Lihotzky, inventor of the standardized modern kitchen, to such innovative contemporary practitioners as Elizabeth Diller, Kazuyo Sejima, and Billie Tsien. N° de réf. du vendeur CIN159017688XVG
Quantité disponible : 1 disponible(s)
Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Hardback. Etat : Good. In this much-anticipated sequel to his critically acclaimed Makers of Modern Architecture (2007) longtime New York Review of Books contributor Martin Filler-"probably the best all-round architecture critic currently working in the United States," according to the architectural journalist David Cohn-offers another penetrating series of concise but authoritative studies on leading exponents of the building art from the late nineteenth to the early twenty-first century. Exemplifying his belief that an architect's personality and character have a direct and profound bearing on this most public and social of art forms, Filler's lively melding of biographical and aesthetic perspectives gives these accessible yet scrupulously researched interpretations a rare human immediacy. From profiles of such universally admired masters as Frank Lloyd Wright and Le Corbusier to emerging figures including Michael Arad, creator of New York City's National September 11 Memorial, and the international design collaborative Sn hetta, Filler's shifting focus remains consistently trained on the enduring values of great architecture. His panoramic vision encompasses the historically inspired Gilded Age urbanism of the celebrated New York bon vivant Stanford White as well as the expressive collages of ancient and modern elements orchestrated by the reclusive Venetian intellectual Carlo Scarpa. The increasing role of women in architecture is given special emphasis in this new collection, from the pioneering work in 1920s Germany of Margarete Schütte-Lihotzky, inventor of the standardized modern kitchen, to such innovative contemporary practitioners as Elizabeth Diller, Kazuyo Sejima, and Billie Tsien. N° de réf. du vendeur CIN159017688XG
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Vendeur : HPB-Red, Dallas, TX, Etats-Unis
hardcover. Etat : Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_414622437
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Very Good. Main. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 4747313-6
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Vendeur : Magers and Quinn Booksellers, Minneapolis, MN, Etats-Unis
hardcover. Etat : Acceptable. Illustrated. May have underlining, highlighting, margin notes, remainder marks, inscriptions, book plates, tears, significant wear, and/or a missing dust jacket, box, or discs. Damaged item. N° de réf. du vendeur 1289242
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