Why do we need fiction? Why do books need to be printed on paper, copyrighted, read to the finish? Do we read to challenge our vision of the world or to confirm it? Has novel writing turned into a job like any other? In Where I'm Reading From, the novelist and critic Tim Parks ranges over decades of critical reading--from Leopardi, Dickens, and Chekhov, to Virginia Woolf, D. H. Lawrence, and Thomas Bernhard, and on to contemporary work by Peter Stamm, Alice Munro, and many others--to upend our assumptions about literature and its purpose.
In thirty-seven interlocking essays, Where I'm Reading From examines the rise of the "international" novel and the disappearance of "national" literary styles; how market forces shape "serious" fiction; the unintended effects of translation; the growing stasis of literary criticism; and the problematic relationship between writers' lives and their work. Through dazzling close readings and probing self-examination, Parks wonders whether writers--and readers--can escape the twin pressures of the new global system and the novel that has become its emblematic genre.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Tim Parks has written seventeen novels, including Europa, which was shortlisted for the Booker Prize, and most recently, Painting Death. He is the author of several works of non-fiction, including Italian Neighbors and Italian Ways. Parks has also translated the works of Alberto Moravia, Giacomo Leopardi, and Niccolò Machiavelli, among others, and he is a frequent contributor to The New York Review of Books and the London Review of Books. He lives in Italy.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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