"Silver Screen" presents an enjoyably different, subversive slant on the science fiction themes of AI and cyberspace. Insecure and overweight heroine Anjuli O'Connell is one of a group of friends who have been hot-housed from an early age to perform in genius-level jobs. But, Anjuli worries that her eidetic memory and her friendship with genuine smart boy Roy Croft has been her ticket to success, rather than any real intelligence of her own. She's put to the test when Roy kills himself in an experiment to upload his mind into cyberspace, seeking that SF dream of bodiless immortality, which doesn't work as expected. At the same time, her boyfriend's research has led to him harnessing himself to dubious biomechanoid technologies, which pull the user into mental symbiosis, creating hybrid consciousness - a new 'I', continuous with the old, but different. 'Where does life end and the machine begin?' Meanwhile, Anjuli's grasping multinational employer, OptiNet, the owner of global communications AI, 901, is locked into an increasingly bitter war with the Machine-Greens, who preach AI liberation. As the case for 901's humanity, or otherwise, comes up before the Strasbourg Court, expert witness Anjuli is targeted by assassins and entangled in the hunt for an algorithm which is the key to machine consciousness, and which may even be the master-code of life itself. This story explores many interfaces between humans and their technologies, between the promises of science and the explanations of faith. It is written in a first-person style that mingles elements of detective story and confessional. Alongside its SF content, the book delves into the complexities of friendship, loyalty, love, and betrayal from an intimate human perspective.
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Silver Screen presents an enjoyably different, subversive slant on the science fiction themes of AI and cyberspace. Insecure and overweight heroine Anjuli O’Connell is one of a group of friends who have been hot-housed from an early age to perform in genius-level jobs. But Anjuli worries that her eidetic memory and her friendship with genuine smart boy Roy Croft has been her ticket to success, rather than any real intelligence of her own.
She’s put to the test when Roy kills himself in an experiment to upload his mind into cyberspace, seeking that SF dream of bodiless immortality, which doesn’t work as expected. At the same time her boyfriend’s research has led to him harnessing himself to dubious biomechanoid technologies, which pull the user into mental symbiosis, creating hybrid consciousness – a new "I", continuous with the old, but different. "Where does life end and the machine begin?"
Meanwhile Anjuli’s grasping multinational employer, OptiNet, the owner of global communications AI, 901, is locked into an increasingly bitter war with the Machine-Greens, who preach AI liberation. As the case for 901’s humanity, or otherwise, comes up before the Strasbourg Court, expert witness Anjuli is targeted by assassins and entangled in the hunt for an algorithm which is the key to machine consciousness, and which may even be the master-code of life itself.
This story explores many interfaces between humans and their technologies, between the promises of science and the explanations of faith. It is written in a first-person style that mingles elements of detective story and confessional. Alongside its SF content, the book delves into the complexities of friendship, loyalty, love, and betrayal from an intimate human perspective.
This is "grrrl-style" SF: as well as all the favorite "Airfix" features, the protagonists deconstruct personal relationships amidst macrocosmic and deeply philosophical goings-on. The writing is punchy, but with a literary sheen. It delivers complex concepts and a twisting plot with a deceptively light touch.
Justina Robson is the author of Selling Out, Going Under, and Chasing the Dragon (Books 2-4 of the Quantum Gravity series). Her first novel, Silver Screen, published in August 1999 in the UK and in 2005 by Pyr, was short-listed for the Arthur C. Clarke Award and the BSFA Award, and was nominated for the Philip K. Dick award. Her second novel, Mappa Mundi, together with Silver Screen, won the Amazon.co.uk Writer's Bursary in 2000 and was also short-listed for the Arthur C. Clarke Award in 2001. A third novel, Natural History, a far-future novel, placed second in the 2004 John W. Campbell Award, was short-listed for the Best Novel of 2003 in the British Science Fiction Association Awards, and was also nominated for the 2006 Philip K. Dick Award, receiving a special citation. A fourth novel, Living Next Door to the God of Love, was a finalist for the BSFA Award.
Visit Justina Robson's Web site at www.JustinaRobson.com.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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