This anthology provides a look at the cross-fertilization between Chinese film and global popular culture. Leading film scholars consider the influence of world cinema on China-related and Chinese-related cinema over the last five decades.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Tan See-Kam is Associate Professor, Department of Communication, University of Macau, Macao SAR, China. His research mainly focuses on gender and Chinese-language cinema and he has published widely in this area. He is co-editor of Hong Kong Film, Hollywood and the New Global Cinema (2007) and also Hong Kong Alternative Cinema Through the Global Lens (forthcoming).
Peter X Feng is Associate Professor of English and Women's Studies at the University of Delaware, where he teaches film history, Asian American Studies and Cultural Studies. He is the author of Identities in Motion: Asian American Film and Video and editor of Screening Asian Americans.
Gina Marchetti teaches at the University of Hong Kong in Comparative Literature and is the author of From Tian'anmen to Times Square: Transnational China and the Chinese Diaspora on Global Screens, 1989-1997 (Temple) and Romance and the "Yellow Peril" Race, Sex, and Discursive Strategies in Hollywood Fiction.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Recycle Bookstore, San Jose, CA, Etats-Unis
Paperback. Etat : Very Good. Book has light rubbing to covers, slight bubbling to center of front cover near spine, light bumps/scuffs to edges and tips of corners. otherwise in very good condition, tight binding, clean and unmarked pages; an overall sturdy, handsome copy. N° de réf. du vendeur 995609
Quantité disponible : 1 disponible(s)
Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pen, pencil & highlighter markings. In poor condition, suitable as a reading copy. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9781592132683. N° de réf. du vendeur 4946666
Quantité disponible : 1 disponible(s)
Vendeur : INDOO, Avenel, NJ, Etats-Unis
Etat : New. Brand New. N° de réf. du vendeur 9781592132683
Quantité disponible : Plus de 20 disponibles
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur FW-9781592132683
Quantité disponible : 1 disponible(s)
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. An anthology that provides a prismatic look at the cross-fertilization between Chinese film and global popular culture. It explores how issues of immigration, class, race and economic displacement are viewed on a global level, providing an understanding of the impact of Chinese filmmaking at home and abroad. Editor(s): See-Kam, Tan; Feng, Peter X.; Marchetti, Gina. Num Pages: 311 pages, 25 halftones, 1 figure. BIC Classification: 1FPC; APF; JFCA. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 224 x 150 x 20. Weight in Grams: 431. . 2009. Illustrated. paperback. . . . . N° de réf. du vendeur V9781592132683
Quantité disponible : 1 disponible(s)
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 352 pages. 9.25x6.00x1.00 inches. In Stock. N° de réf. du vendeur __1592132685
Quantité disponible : 1 disponible(s)
Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. In English. N° de réf. du vendeur ria9781592132683_new
Quantité disponible : 1 disponible(s)
Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days. N° de réf. du vendeur B9781592132683
Quantité disponible : 1 disponible(s)
Vendeur : Joseph Burridge Books, Dagenham, Royaume-Uni
Soft cover. Etat : New. viii, 311 pages : illustrations ; 23 cm. Summary:An anthology that provides a prismatic look at the cross-fertilization between Chinese film and global popular culture. It explores how issues of immigration, class, race and economic displacement are viewed on a global level, providing an understanding of the impact of Chinese filmmaking at home and abroad. Contents: False consciousness and double consciousness: race, virtual reality, and the assimilation of Hong Kong action cinema in The matrix / Peter X. Feng The par-Asian cinematic imaginary in Olivier Assayas's Irma Vep / Grace An The HK venture: the Francophone cine-logocentric nexus / Aaron Han Joon Magnan-Park Wong Fei-Hung in da house: Hong Kong martial-arts films and hip-hop culture / Frances Gateward Same difference: racial masculinity in Hong Kong and cop-buddy "hybrids" / Gayle Wald American popular music and neocolonialism in the films of Edward Yang / Emilie Yueh-yu Yeh Hollywood and Taiwan: connections, countercurrents, and Ang Lee's Hulk / Gina Marchetti Becoming Hollywood? Hong Kong cinema in the new century / Chuck Kleinhans "From behind the wall": the representation of gender and sexuality in modern Chinese film / Zhou Xuelin Beyond the western gaze: Orientalism, feminism, and the suffering woman in nontransnational Chinese cinema / Andrew Grossman Disappearing faces: bisexuality and transvestism in two Hong Kong comedies / Helen Hok-Sze Leung Staging gay life in China: Zhang Yuan and East palace, west palace / Chris Berry Whose fatal ways: mapping the boundary and consuming the other in border crossing films / Li-Mei Chang Asian martial-arts cinema, dance, and the cultural languages of gender / Aaron D. Anderson Singapore as a society of strangers: Eric Khoo's Mee pok man, 12 storeys, and Be with me / Tan See-Kam Chinese cinema revisits the city: Beijing trilogy and global urbanism of the 1990s / Jenny Kwok-Wah Lau Taiwan fever? Tsai Ming-Liang and the everyday postnation / Peter Hitchcock The spirits of capital and haunting sounds: translocal historicism in victim (1999) / Esther C.M. Yau Zhang Yimou's hero: the temptations of fascism / Evans Chan. N° de réf. du vendeur BGCHIN61
Quantité disponible : 1 disponible(s)
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. An anthology that provides a prismatic look at the cross-fertilization between Chinese film and global popular culture. It explores how issues of immigration, class, race and economic displacement are viewed on a global level, providing an understanding of the impact of Chinese filmmaking at home and abroad. Editor(s): See-Kam, Tan; Feng, Peter X.; Marchetti, Gina. Num Pages: 311 pages, 25 halftones, 1 figure. BIC Classification: 1FPC; APF; JFCA. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 224 x 150 x 20. Weight in Grams: 431. . 2009. Illustrated. paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9781592132683
Quantité disponible : 1 disponible(s)