On my first voyage as chief mate with good Captain MacW-------- I remember that I felt quite flattered and went blithely about my duties, myself a commander for all practical purposes. Still, whatever the greatness of my illusion, the fact remained that the real commander was there, backing up my self-confidence. . . . Until I was unlucky enough to catch my captain in the act of hasty cork-drawing. The sight, I may say, gave me an awful scare. I was well aware of the morbidly sensitive nature of the man. Fortunately, I managed to draw back unseen, and, taking care to stamp heavily with my sea-boots at the foot of the cabin stairs, I made my second entry. But for this unexpected glimpse, no act of his during the next twenty-four hours could have given me the slightest suspicion that all was not well with his nerve.
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Joseph Conrad (1857 - 1924) was a Polish-British writer regarded as one of the greatest novelists to write in the English language. He joined the British merchant marine in 1878, and was granted British citizenship in 1886. Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature. He wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of an impassive, inscrutable universe. Conrad is considered an early modernist, though his works still contain elements of 19th-century realism. His narrative style and anti-heroic characters have influenced numerous authors and many films have been adapted from, or inspired by, his works. Writing in the heyday of the British Empire, Conrad drew on his native Poland's national experiences and his own experiences in the French and British merchant navies, to create short stories and novels that reflect aspects of a European-dominated world-including imperialism and colonialism-and that profoundly explore the human psyche.
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