"A hugely absorbing first novel from a writer with a fluid, vivid style and a rare knack for balancing the pleasure of entertainment with the deeper gratification of insight. More, please.”
—Maggie Shipstead, The New York Times Book Review (Editors’ Choice)
"A story about Russia, the United States, friendship, identity, defection, and deception that is smart, startling, and worth reading regardless of when you were born.”
—Kathryn Schulz, New York Magazine
"Holt's beguiling debut… in which there is no difference between personal and political betrayal, vividly conjures the anxieties of the Cold War without ever lapsing into nostalgia."
—The New Yorker
Sarah Zuckerman and Jennifer Jones are best friends in an upscale part of Washington, D.C., in the politically charged 1980s. Sarah is the shy, wary product of an unhappy home: her father abandoned the family to return to his native England; her agoraphobic mother is obsessed with fears of nuclear war. Jenny is an all-American girl who has seemingly perfect parents. With Cold War rhetoric reaching a fever pitch in 1982, the ten-year-old girls write letters to Soviet premier Yuri Andropov asking for peace. But only Jenny's letter receives a response, and Sarah is left behind when her friend accepts the Kremlin's invitation to visit the USSR and becomes an international media sensation. The girls' icy relationship still hasn't thawed when Jenny and her parents die tragically in a plane crash in 1985.
Ten years later, Sarah is about to graduate from college when she receives a mysterious letter from Moscow suggesting that Jenny's death might have been a hoax. She sets off to the former Soviet Union in search of the truth, but the more she delves into her personal Cold War history, the harder it is to separate facts from propaganda.
You Are One of Them is a taut, moving debut about the ways in which we define ourselves against others and the secrets we keep from those who are closest to us. In her insightful forensic of a mourned friendship, Holt illuminates the long lasting sting of abandonment and the measures we take to bring back those we have lost.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Elliott Holt's short fiction has appeared in The Kenyon Review, Guernica, and Bellevue Literary Review. She won a 2011 Pushcart Prize and is the runner-up of the 2011 PEN Emerging Writers Award. A graduate of the MFA program at Brooklyn College, where she won the Himan Brown Award, she has received fellowships from the Sewanee Writers' Conference, the Tin House Summer Writers Workshop and Yaddo. She is a former contributing editor at One Story magazine and a former copywriter, who has worked at advertising agencies in Moscow, London, and New York. She currently resides in her hometown of Washington, D.C.
We went swimming that afternoon, and I can still remember my first glimpse of Jenny underwater. We sank beneath the surface in unison and sat cross-legged in a breath-holding contest on the bottom of the pool. She wore a canary yellow bathing suit and green goggles and I could see her eyes open wide and staring at me, her rival. I forced my eyes open despite the sting of chlorine. From above, the pool looked glassy and hard, a surface that must be broken with force, but below, it was soft and beckoning, a membrane through which light sieved like sugar. The sunlight webbed across Jenny’s skin and through her hair, giving it a reddish tint. Suddenly, she stuck out her tongue. My laughter forced me up for air. “I win!” Jenny announced as she triumphed from below.
Mrs. Jones asked about my family. What did my dad do, she wanted to know.
“He lives in London,” I said.
“London, England? Gosh, that’s far away,” she said.
“They’re divorced,” I said. And though divorce was not uncommon in our Washington circles, Mrs. Jones looked shocked. I liked her innocence: troubled thoughts rushed across her face like clouds and were gone just as quickly. She was a clear sky.
“What about your mom? What does she do?”
“She works for nuclear disarmament,” I said.
It was only after my father left that my mother had begun to worry about nuclear war. The good thing was that she started leaving the house to attend disarmament meetings. She got over her fear of the dark so that she could turn our basement into a fallout shelter. She mapped out scenarios, calculating the reach of the radioactive fallout if the blast hit Kansas City, say, or Washington. She drew ominous red circles in our Rand-McNally to mark the circumference of destruction. At the kitchen table, the hanging lamp created a tunnel of light under which she envisioned doom. She’d press her slide rule across swaths of U.S. territory.
I liked to flip the atlas to the Soviet Union, its borders drawn in a muted red. I couldn’t even fit the top of my pinkie inside Luxembourg, but could press both of my palms onto the Soviet sprawl. The Russians fascinated me. My mother and I watched clips of Brezhnev on the evening news—his chest clotted with medals, his eyebrows bristling under his fur hat—but it was ordinary Russians I was curious about. Moscow, as the capital of the other Superpower, struck me as Washington’s twin. Was there an eight-year-old girl somewhere in Moscow whose sister had also died, whose father had also left?
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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