How to Get Filthy Rich in Rising Asia: A Novel - Couverture rigide

Hamid, Mohsin

Couverture rigide

ISBN 10 : 1594487294 ISBN 13 : 9781594487293

Editeur : Riverhead Hardcover, 2013

Synopsis

"Mr. Hamid reaffirms his place as one of his generation's most inventive and gifted writers." –Michiko Kakutani, The New York Times

"A globalized version of The Great Gatsby . . . [Hamid's] book is nearly that good." –Alan Cheuse, NPR

"Marvelous and moving." –TIME Magazine

From the internationally bestselling author of The Reluctant Fundamentalist, the boldly imagined tale of a poor boy’s quest for wealth and love . . .

His first two novels established Mohsin Hamid as a radically inventive storyteller with his finger on the world’s pulse. How to Get Filthy Rich in Rising Asia meets that reputation—and exceeds it. The astonishing and riveting tale of a man’s journey from impoverished rural boy to corporate tycoon, it steals its shape from the business self-help books devoured by ambitious youths all over “rising Asia.” It follows its nameless hero to the sprawling metropolis where he begins to amass an empire built on that most fluid, and increasingly scarce, of goods: water. Yet his heart remains set on something else, on the pretty girl whose star rises along with his, their paths crossing and recrossing, a lifelong affair sparked and snuffed and sparked again by the forces that careen their fates along.
       How to Get Filthy Rich in Rising Asia is a striking slice of contemporary life at a time of crushing upheaval. Romantic without being sentimental, political without being didactic, and spiritual without being religious, it brings an unflinching gaze to the violence and hope it depicts. And it creates two unforgettable characters who find moments of transcendent intimacy in the midst of shattering change.

A propos du livre

À propos de l'auteur

Mohsin Hamid's first novel, Moth Smoke, won the Betty Trask Award and was a finalist for the PEN/Hemingway Prize. His second, The Reluctant Fundamentalist, a bestseller in the United States and abroad, was shortlisted for the Man Booker Prize. Hamid contributes to Time, The New York Times, and The Washington Post, among others. He lives in Lahore, Pakistan.

Extrait. © Reproduit sur autorisation. Tous droits réservés.

ILLUSIONS MAKING SENSE OF ILLUSIONS

 

An essay by Mohsin Hamid

 

In 2009, after two decades spent mostly in London and on the Atlantic coast of the United States, I moved back to Pakistan to write my third novel. I'd often visited my birth city of Lahore in the interim, sometimes for six months or even a year, but always with a fixed departure date in mind. This return, though, was different. I came with no plans to leave.

Pakistan is frequently thought of as a place apart: unique, violent, troubled. And it is. But it also a piece of a whole: a world knitting itself together, an Asia being transformed. I re-entered life in Lahore to find pits being dug for office towers, a surfeit of cell-phone masts and shopping malls, proliferating traffic jams and commuter-hour radio shows. I visited Delhi, Bombay, Dubai, Bangkok and observed the same. I saw an East becoming more like the West, or rather a planet where such sweeping distinctions were dissolving.

And much else seemed to be dissolving. Old ways of doing things. Neighborhoods. A stampede for wealth was underway, pulled along by televised lives of previously unimagined opulence, beaten from behind by the switch of crushing poverty. Money was becoming religion; religion was becoming politics. Spirituality, it seemed, could wait.

But death does not wait. To be human is to know ever-present mortality. And so we ache. Our selves ache. Dashing forward together, we recognize we will be plucked away, alone. In the face of this, as Asia rises, as the pursuit of money becomes paramount, as past repositories of solace are drained of meaning, what, if anything, can a novel do?

Modern science increasingly suggests that what we think of as the self is an illusion. "You" are in actuality a bundle of neural processes, most of them unconscious. Yet you need the illusion of a self. And you create it with stories. With stories about who you are, and stories about your surroundings.

Some of these stories may be novels. And some of these novels may play, as the novel I was writing began to do, with notions of self-help, with notions of self-transcendence, which is to say with love and with death. For novels are illusions trying to make sense of illusions, stories trying to make sense of stories. Novels, in other words, are ourselves.

Détails de l'édition

• Éditeur: Riverhead Hardcover
• Date d'édition: 2013
• Langue: anglais
• ISBN 10: 1594487294
• ISBN 13: 9781594487293
• Reliure: Relié
• Numéro d'édition: 1
• Nombre de pages: 240
• Coordonnées du fabricant: non disponible
• Personne responsable: non disponible