Ever wonder what those chromatic notes are that jazz, rock and fusion guitar players use when they are not playing scales and arpeggios? Want to get that jazz sound where you can play a melody without chords and hear the chord progression go by just based on the melody? Look no further. The 24 chapters of this book cover all aspects of using this more advanced way of playing called approach notes. It gives you a way to organize your practice of these approach notes but it doesn't stop there. It gives you all the fingerings for 13 different arpeggios in 4 positions on the guitar. If includes all the upper four string chord voicings so you can bring your funk, R + B, and jazz chord playing to another level. It also demystifies Passing diminished scales and gives you a detailed list of how chords and scales interact. A Chord Reharmonization is also included to show you how you can change chord progressions to make them more interesting and dynamic. A must own for any guitarist that wants to understand the advanced knowledge that most progressive rock, fusion and jazz players posses. 150 Page book
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"New York Guitar Method" combines many of Bruce Arnold's previous publications along with new information tailored for use at the New York University Summer Guitar Intensive Program. This is one of the only guitar intensive programs that gives college credit for summer studies. Consequently the information presented is meant for the serious student. New York Guitar Method combines many of Bruce Arnold's previous publications along with new information tailored for use at the New York University Summer Guitar Intensive Program. This is one of the only guitar intensive programs that gives college credit for summer studies. Consequently the information presented is meant for the serious student. The following Scales and their theory are covered in great detail: Major Dorian Phrygian Lydian Mixolydian Aeolian Locrian Jazz Minor Dorian b2 Lydian b7 Mixolydian b6 Locrian Natural 2 Altered Diminished Symmetrical Whole Tone Harmonic Minor Mixolydian b2b6 Major Pentatonic Minor Pentatonic Blues Added tensions for the following Chord Voicings are covered: Major7 Minor7 Dominant7 Dominant7sus4 Minor7b5 Diminished7 MinorMajor7 Major7#5 In-Depth coverage of the following Articulations: Hammer-Ons Pull-Offs Slides from Below Slides from Above Bends Pre-Bends Vibrato Accents Staccato In-Depth look at the following Modal Sequences: Two Note Modal Sequencing-Seconds Two Note Modal Sequencing-Thirds Two Note Modal Sequencing-Fifths Two Note Modal Sequencing-Sixths Two Note Modal Sequencing-Sevenths Three Note Modal Sequencing Four Note Modal Sequencing The following Musical Concepts are covered: Finding the Right Scale for Any Chord Finding the Natural Scale Sound Thinking the Way You Hear Other Scale Possibilities Ditonic Scales Tritonic Scales Tetratonic Scales Pentatonic Scales Hexatonic Scales Heptatonic Scales Octatonic Scales Nonatonic Scales Decatonic Scales Hendecatonic Scales Dodecatonic Scale List of 2,048 Scales Slash Chords Regular Chords and Slash Chords Slash Chord Possibilities Reharmonization Theory Adding Tensions New York Guitar Method Ensemble Book One is the companion book for the New York Guitar Method Volume One. This book contains music examples of the information covered in this book so that a student can apply the information through memorization and sight reading. PLEASE NOTE: This is the same book as ISBN 1594899878. ISBN 1594899878 is out of print in the UK.
Bruce Arnold (born 1955 in Sioux Falls, South Dakota, USA) is an author, composer, educator and guitarist residing in New York City. His explorations into the applications of 20th century classical theory in contemporary forms such as Rock and Jazz has created a unique compositional and improvisational sound. As a guest artist Arnold has toured Australia, Canada, the Caribbean, Europe, Japan, Mexico, Russia and the United States. His performance and recording activities include work with a wide array of styles. He has played with such diverse musicians as Stuart Hamm, Peter Erskine, Joe Pass, Joe Lovano, Lennie Pickett, Randy Brecker, Stanley Clarke, the Boston Symphony Orchestra and the Absolute Ensemble under the baton of Kristjan Järvi. Bruce Arnold's recording credits include over twenty five CDs and DVDs (on Muse-eek Records, MelBay Recordings, Truefire and other labels), ranging from the standard jazz repertoire to free improvisation to the reinterpretations of classical music with the ensemble Spooky Actions. His compositions are published by Muse Eek Publishing, and MelBay Productions. Mr. Arnold's theoretical works have explored the use of Pitch Class Set Theory within a improvisational setting. He is also written more than 60 music instruction books covering Guitar Pedagogy, Ear Training and Time Studies. He is the director of guitar studies at New York University and Princeton University as well as the creator of the New York University Summer Guitar Intensive He has taught at New England Conservatory of Music, Dartmouth College, Berklee College of Music, New School University, and City College of New York.
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