"Set Theory for Improvisation Ensemble Method" is a series of books exploring the relationships of post tonal theory to contemporary improvisation. The series includes a theory book and several ensemble books. The theory book gives the underlying information on how each pitch class set can be applied to contemporary improvisation while the ensemble method gives examples of applying this information in the form of etudes.
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Bruce Arnold (born 1955 in Sioux Falls, South Dakota, USA) is an author, composer, educator and guitarist residing in New York City. His explorations into the applications of 20th century classical theory in contemporary forms such as Rock and Jazz has created a unique compositional and improvisational sound. As a guest artist Arnold has toured Australia, Canada, the Caribbean, Europe, Japan, Mexico, Russia and the United States. His performance and recording activities include work with a wide array of styles. He has played with such diverse musicians as Stuart Hamm, Peter Erskine, Joe Pass, Joe Lovano, Lennie Pickett, Randy Brecker, Stanley Clarke, the Boston Symphony Orchestra and the Absolute Ensemble under the baton of Kristjan Järvi. Bruce Arnold's recording credits include over twenty five CDs and DVDs (on Muse-eek Records, MelBay Recordings, Truefire and other labels), ranging from the standard jazz repertoire to free improvisation to the reinterpretations of classical music with the ensemble Spooky Actions. His compositions are published by Muse Eek Publishing, and MelBay Productions. Mr. Arnold's theoretical works have explored the use of Pitch Class Set Theory within a improvisational setting. He is also written more than 60 music instruction books covering Guitar Pedagogy, Ear Training and Time Studies. He is the director of guitar studies at New York University and Princeton University as well as the creator of the New York University Summer Guitar Intensive He has taught at New England Conservatory of Music, Dartmouth College, Berklee College of Music, New School University, and City College of New York.
This series of books explores the relationships of post tonal theory to contemporary improvisation. The ensemble method gives examples of applying post tonal theory to contemporary improvisation in the form of études. Each étude explores the melodic possibilities using various combinations of note groupings, rhythms, metric level, melodic range and density. There are 12 études in each book, one in each key which can be played over a variety of chords. These études range from highly diatonic to non-diatonic examples depending on the organization of the material. For all instruments. PLEASE NOTE: This is the same book as ISBN 1594899207. ISBN 1594899207 is out of print in the UK.
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