In three compositional movements, these poems undertake a journey through geographies of human history into the intimacies of childhood, aging, and memory. Placement reflects on the disparate conditions of biography, place, and relationship that shape our lives. Not the End of the World affirms the inevitability of uncertainty, loss, and grief. Medicinal Properties arrives into gratitude for the solace of love, for the peace in solitude, and always for the power of beauty. The poet encounters the nature of all experience-the physical universe, the living world, thought and feeling-as impermanence and change. As Movement.
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Suzanne Maxson was raised in suburban Southern California (with a fortunate interlude in Iran) and migrated north in 1972 to the Russian River watershed of Sonoma County. As a public high school teacher she integrated the arts and literature with history, social justice, and comparative religion. As a writer she was compelled always to poetry. Movement is the first collection of her work.
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