In this book Sigmund Freud has attempted to expound the methods and results of dream-interpretation; and in so doing he does not think he overstepped the boundary of neuro-pathological science. For the dream proves on psychological investigation to be the first of a series of abnormal psychic formations, a series whose succeeding members-the hysterical phobias, the obsessions, the delusions- must, for practical reasons, claim the attention of the physician.
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The Interpretation of Dreams Sigmund Freud Translated by A. A. Brill The Interpretation of Dreams (German: Die Traumdeutung) is an 1899 book by psychoanalyst Sigmund Freud, in which Freud introduces his theory of the unconscious with respect to dream interpretation, and discusses what would later become the theory of the Oedipus complex. Dreams, in Freud's view, are all forms of "wish fulfillment" — attempts by the unconscious to resolve a conflict of some sort, whether something recent or something from the recesses of the past (later in Beyond the Pleasure Principle, Freud would discuss dreams which do not appear to be wish-fulfillment). Because the information in the unconscious is in an unruly and often disturbing form, a "censor" in the preconscious will not allow it to pass unaltered into the conscious. During dreams, the preconscious is more lax in this duty than in waking hours, but is still attentive: as such, the unconscious must distort and warp the meaning of its information to make it through the censorship. As such, images in dreams are often not what they appear to be, according to Freud, and need deeper interpretation if they are to inform on the structures of the unconscious.
is fascinating and endlessly entertaining (John Banville 23/11/2000)
Joyce Crick's clear, clean and pure re-translation (john Banville The Irish Times 18/11/2000)
'The link between psychoanalysis and the arts is endlessly fascinating, and there is no better place to start exploring it than Joyce Crick's fresh translation. Crick returns to Freud's original edition - before he added the edifice of sexual symbols (towers and staircases) which have been fodder for a century of shrink-bashers - and sweeps away the archaic technical terms used in James Strachey's standard version. She returns Freud to the lay reader as, above all, a brilliant writer: profound, accessible, elegant, his case histories as compelling as fiction, the conviction of his vision a pleasure and a provocation.' (Financial Times)
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