In the last thirty years of the Soviet Communist project, Viktor Koretsky's art struggled to solve an enduring riddle: how to ensure or restore Communism's moral health through the production of a distinctively Communist vision. In this sense Koretsky's art demonstrates what an "avant-garde late Communist art" would have looked like if we had ever seen it mature. Most striking of all, Koretsky was pioneering the visual languages of Benetton and MTV at a time when the iconography of interracial togetherness was still only a vague rumor on Madison Avenue.
Vision and Communism presents a series of interconnected essays devoted to Viktor Koretsky's art and the social worlds that it hoped to transform. Produced collectively by its five editors, this writing also considers the visual art, film, and music included in the exhibition Vision and Communism, opening at the Smart Museum of Art in September 2011.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Robert Bird is an associate professor in the departments of Slavic Languages and Literatures and Cinema and Media Studies, University of Chicago.
Christopher P. Heuer is an assistant professor of art and archaeology at Princeton University. Matthew Jesse Jackson teaches in the departments of visual arts and art history at the University of Chicago. Tumelo Mosaka is curator of contemporary art at the Krannert Art Museum, University of Illinois Urbana-Champaign. Stephanie Smith is deputy director and chief curator at the David and Alfred Smart Museum of Art, University of Chicago.Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Softcover. Etat : New. Glossy orange illus. wraps with white lettering. 157 pp. with 7 color/duotone plates and 64 bw figures. "In the last 30 years of the Soviet communist project, Viktor Koretsky's art struggled to solve an enduring riddle: how to ensure or restore Communism's moral health through the production of a distinctively Communist vision. This book presents a series of interconnected essays devoted to Koretsky's art and the social worlds that it hoped to transform. Produced by 5 editors who also consider the visual art, film, and music included in the exhibition Vision and Communism, presented at The University of Chicago's Smart Museum of Art. N° de réf. du vendeur 149074
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Etat : New. Über den AutorRobert Bird is an associate professor in the departments of Slavic Languages and Literatures and Cinema and Media Studies, University of Chicago.Christopher P. Heuer is an assistant profes. N° de réf. du vendeur 904419466
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Taschenbuch. Etat : Neu. Neuware - In the last thirty years of the Soviet Communist project, Viktor Koretsky's art struggled to solve an enduring riddle: how to ensure or restore Communism's moral health through the production of a distinctively Communist vision. In this sense Koretsky's art demonstrates what an 'avant-garde late Communist art' would have looked like if we had ever seen it mature. Most striking of all, Koretsky was pioneering the visual languages of Benetton and MTV at a time when the iconography of interracial togetherness was still only a vague rumor on Madison Avenue. 'Vision and Communism' presents a series of interconnected essays devoted to Viktor Koretsky's art and the social worlds that it hoped to transform. Produced collectively by its five editors, this writing also considers the visual art, film, and music included in the exhibition 'Vision and Communism,' opening at the Smart Museum of Art in September 2011. N° de réf. du vendeur 9781595586254
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