The man's heart was restless; otherwise he would never have achieved so much. He must wander, he must vagabondize, he must acquire; he was never quite easy at the hearth. His love for nature was passionate indeed, pursuing him in all regions, burning him to the last. -Robert Buchanan in the Editor's Preface This edited version of the diaries of John James Audubon reveals the ambitions, achievements, and personal life of the premiere wildlife artist of North America birds. First published in 1869, the book covers his coming to America, the difficulties he confronted in developing his art, his challenges in business and in publishing his works, and his sometimes unbelievable tales of life as an explorer. Above all, his love for outdoor adventure shines through. ROBERT BUCHANAN (1841-1901) was born in England and educated in Glasgow. As a young man, he was a regular on the literary scene in London, where he was a regular contributor to the city's periodicals. He authored numerous poems, novels, and stage plays, more than fifty of which were produced for the stage from the 1880s on, some directed by Buchanan himself.
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He was a keen, sympathetic observer not merely of the birds and animals, but of men and things generally; and, though by no means a first-class literary workman, there are yet at times wonderful vividness and truth about some of his off-hand sketches which, of their kind, it would not be easy to match. How clearly the coon-hunter of Kentucky, loading his rifle, stands before one in the following passage: â? The hunter has taken an axe from the wood-pile, and, returning, assures us that the night is clear, and that we shall have rare sport. He blows through his rifle to ascertain that it is clear, examines his flint, and thrusts a feather into the touch-hole. To a leathern bag swung at his side is attached a powder-horn ;his sheathed knife is there also; below hangs a narrow strip of home-spun linen. He takes from his bag a bullet, pulls with his teeth the wooden stopper from his powder-horn, lays the ball on one hand, and with the other pours the powder upon it until it is just overtopped. Raising the horn to his mouth, he again closes it with the stopper, and restores it to its place. He introduces the powder into the tube, springs the box of his gun, greases the â patch â over some wetted tallow, or damps it, then places it on the honeycombed muzzle of his piece. The bullet is placed on the patch over the bore, and pressed with the handle of the knife, which now trims the edges fthe linen. The elastic hickory rod, held with both hands, smoothly pushes the ball to its bed: once, twice, thrice has it rebounded. The rifle leaps as it were into the hunterâs arms, the feather is drawn from the touch-hole, the powder fills the pan, which is closed. â Now I am ready,â cries the woodsman.â It is worthy of note that neither of the great American ornithologists was in the strict sense an A merican.
(Typographical errors above are due to OCR software and don't occur in the book.)
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