Walks in Rome - Couverture souple

Hare, Augustus John Cuthbert

 
9781596053205: Walks in Rome

Synopsis

The external charm of the Coliseum has recently been spoilt by the cutting down of all the trees and destruction of the beautiful pomegranate gardens on the lower slope of the Esquiline, and the erection in their place of the most hideous and gigantic houses... -from Walks in Rome English aristocrat Augustus J.C. Hare filled his days with trips to the Continent, and returned home to share his journeys with eager readers-and the journals of his travels still enjoy a cultishly devoted readership today. His Walks in Rome was first published in 1871; this replica of the 15th edition, from 1900, offers a virtual walking tour of: . the Corso and its neighborhood, including the Piazza del Popolo, the Temple of Neptune, and the Fountain of Trevia . the Forums and the Coliseum, including the Temple of Mars, the House of the Vestals, and the Arch of Constantine . the Palatine, including the Palace of Caligula and the House of Hortensius . and much more. Charmingly enthusiastic and obsessively detailed, this guidebook continues to be invaluable for today's travelers, and for those fascinated by the ongoing metamorphosis of a modern metropolis. Also available from Cosimo Classics: Hare's Sketches in Holland and Scandinavia. British travel writer Augustus John Culbert Hare (1834-1903) also wrote Epitaphs for Country Churchyards (1856) and Wanderings in Spain (1873).

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Présentation de l'éditeur

Rome; the most solemn and interesting that my hand can ever write, and even now more interesting than when I saw it last, wrote Dr. imold to his wife in 1840 and how many thousands before and since have experienced the same feeling, who have looked forward to a visit to Rome as one of the great events of their lives, as the realization of the dreams and longings of many years. An arrival in Rome is very different to that in any other town of Europe. It is coming to a place new and yet most familiar, strange and yet so well known. When travellers arrive at Verona, for instance, or at A ries, they generally go to the amphitheatres with a curiosity to know what they are like; but when they arrive at Rome and go to the Coliseum, it is to visit an object whose appearance has been familiar to them from childhood, and, long ere it is reached, from the heights of the distant Capitol, they can recognize the well-known form; and as regardsS
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