The crimson window-curtains... were drawn close; the sun was setting, and reflected through them so warm a tint into the fair fille de chambre's face, I thought she blush'd-the idea of it made me blush myself. We were quite alone; and that super-induced a second blush before the first could get off. -from "The Temptation" Laurence Sterne's revolutionary novel The Life and Opinions of Tristram Shandy, Gentleman (1760-1767) plays with time, space, narrative conceits, and the very concept of the novel itself-it has dramatically affected the course of English-language fiction in the centuries since, with works from writers such as James Joyce and Thomas Pynchon showing his influence. A Sentimental Journey Through France and Italy (1768) is the thematic sequel, a tale of a minor character from Shandy that is its own frolic of experimental fiction. Though less well known than its celebrated predecessor, this is an equally startling and frantically imaginative work from a writer some consider a comic genius. This edition also features the collection The Journal to Eliza, Sterne's impishly coy diary of a separation from his mistress, as well as numerous letters Sterne wrote to a variety of correspondents, including his wife. Irish clergyman LAURENCE STERNE (1713¬-1768) also wrote the satire A Political Romance (1759) and published volumes of his sermons.
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About A Sentimental Journey through France and Italy by Laurence Sterne
A Sentimental Journey Through France and Italy is a novel by Laurence Sterne, written and first published in 1768, as Sterne was facing death. In 1765, Sterne travelled through France and Italy as far south as Naples, and after returning determined to describe his travels from a sentimental point of view. The novel can be seen as an epilogue to the possibly unfinished work The Life and Opinions of Tristram Shandy, Gentleman, and also as an answer to Tobias Smollett's decidedly unsentimental Travels through France and Italy. Sterne had met Smollett during his travels in Europe, and strongly objected to his spleen, acerbity and quarrelsomeness. He modeled the character of Smelfungus on him. The novel was extremely popular and influential and helped establish travel writing as the dominant genre of the second half of the 18th century. Unlike prior travel accounts which stressed classical learning and objective non-personal points of view, A Sentimental Journey emphasized the subjective discussions of personal taste and sentiments, of manners and morals over classical learning. Throughout the 1770s female travel writers began publishing significant numbers of sentimental travel accounts. Sentiment also became a favorite style among those expressing non-mainstream views including political radicalism. The narrator is the Reverend Mr. Yorick, who is slyly represented to guileless readers as Sterne's barely disguised alter ego. The book recounts his various adventures, usually of the amorous type, in a series of self-contained episodes. The book is less eccentric and more elegant in style than Tristram Shandy and was better received by contemporary critics. It was published on 27 February, and on 18 March Sterne died."[...]ransom of the unfortunate. - The monk made me a bow. - But of all others, resumed I, the unfortunate of our own country, surely, have the first rights; and I have left thousands in distress upon our own shore. - The monk gave a cordial wave with his head, - as much as to say, No doubt there is misery enough in every corner of the world, as well as within our convent - But we distinguish, said I, laying my hand upon the sleeve of his tunic, in return for his appeal - we distinguish, my good father! betwixt those who wish only to eat the bread of their own labour - and those who eat the bread of other people’s, and have no other plan in life, but to get through it in sloth and ignorance, for the love of God. The poor Franciscan made no reply: a hectic of a moment pass’d across his cheek, but could not tarry - Nature seemed to have done with her resentments in him; - he showed none: - but letting his staff fall within his arms, he pressed both his hands with resignation upon his breast, and retired. THE MONK. CALAIS. [...]".
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