Book by Lippard Lucy
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Vendeur : HPB-Emerald, Dallas, TX, Etats-Unis
hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_468236236
Quantité disponible : 1 disponible(s)
Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G1597110108I4N00
Quantité disponible : 1 disponible(s)
Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover with dustjacket, 156 pages; very good condition; light edgewear to top edge of dj; small chip to dj at bottom of spine; light fingerprint marks to rear cover of dj; internally fine; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur ThRoAp20
Quantité disponible : 1 disponible(s)
Vendeur : J. W. Mah, Burnaby, BC, Canada
Hardcover. Etat : Fine. Etat de la jaquette : Very Good. Robbins, Andrea; Becher, Max (illustrateur). 1st. (USA) 1st printing. No markings, Fine in Very Good dust jacket with 1" closed tear to front flap fold. Photo boards, 158pp, full-page colour photos of locales that speak to notions of place in the contect of identity, race and colonialism. A heavy book. (3.8 JM HOJ 300/b4 Size: 4to - over 9¾" - 12". N° de réf. du vendeur 73520
Quantité disponible : 1 disponible(s)
Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1550grams, ISBN:9781597110105. N° de réf. du vendeur 5834031
Quantité disponible : 1 disponible(s)
Vendeur : Hennessey + Ingalls, Los Angeles, CA, Etats-Unis
Hardcover. Etat : Used - Very Good. Andrea Robbins and Max Becher draw on a rich visual vocabulary gleaned as much from travel brochures, postcards and 'National Geographic' as from the photography of Walker Evans, Edward Curtis and Stephen Shore. Their work, a somewhat surreal nonfiction, uses documentary images to examine contradictions of place and cultural identity: that is, when Germans tie on Native American headdresses and Midwesterners parade in Bavarian costumes, Robbins and Becher are there. In their own words, 'The primary focus of our work is what we call the transportation of place--situations in which one limited or isolated place strongly resembles another distant one. Everywhere, not only in the new world, such situations are accumulating and accepted as genuine locales. Traditional notions of place, in which culture and geographic location neatly coincide, are being challenged by legacies of slavery, colonialism, holocaust, immigration, tourism and mass-communication. Whether the subject is Germany in Africa, Germans dressing as Native Americans, American towns dressed as Germany, New York in Las Vegas, New York in Cuba or Cuba in exile, our interest tends to be a place out of place with its various causes and consequences.' Their work posits vital questions for a globalized world and for photography. Essays by Maurice Berger and Lucy Lippard. N° de réf. du vendeur 267362
Quantité disponible : 1 disponible(s)
Vendeur : Castle Hill Books, Llandrindod Wells, Royaume-Uni
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good-. 156pp, illustrated , bound in illustrated boards with dustwrapper; Oblong large quarto; 156 pages. N° de réf. du vendeur 76022
Quantité disponible : 1 disponible(s)
Vendeur : JuddSt.Pancras, London, Royaume-Uni
Hardcover. Etat : As New. Etat de la jaquette : As New. In original shrinkwrap. N° de réf. du vendeur c47390
Quantité disponible : 1 disponible(s)
Vendeur : Hennessey + Ingalls, Los Angeles, CA, Etats-Unis
Hardcover. Etat : Used - Good. Andrea Robbins and Max Becher draw on a rich visual vocabulary gleaned as much from travel brochures, postcards and 'National Geographic' as from the photography of Walker Evans, Edward Curtis and Stephen Shore. Their work, a somewhat surreal nonfiction, uses documentary images to examine contradictions of place and cultural identity: that is, when Germans tie on Native American headdresses and Midwesterners parade in Bavarian costumes, Robbins and Becher are there. In their own words, 'The primary focus of our work is what we call the transportation of place--situations in which one limited or isolated place strongly resembles another distant one. Everywhere, not only in the new world, such situations are accumulating and accepted as genuine locales. Traditional notions of place, in which culture and geographic location neatly coincide, are being challenged by legacies of slavery, colonialism, holocaust, immigration, tourism and mass-communication. Whether the subject is Germany in Africa, Germans dressing as Native Americans, American towns dressed as Germany, New York in Las Vegas, New York in Cuba or Cuba in exile, our interest tends to be a place out of place with its various causes and consequences.' Their work posits vital questions for a globalized world and for photography. Essays by Maurice Berger and Lucy Lippard. N° de réf. du vendeur 57256
Quantité disponible : 1 disponible(s)
Vendeur : Mooney's bookstore, Den Helder, Pays-Bas
Etat : Very Good. N° de réf. du vendeur D205E04AC27D812
Quantité disponible : 1 disponible(s)