The Dutch photobook is internationally recognized for its innovative and collaborative approach between photographers, printers, and designers. Dutch graphic designers have long worked at the forefront of their discipline, often crossing existing boundaries and exploring new territories-qualities that have become an integral part of contemporary Dutch photobook culture. The current photobook publishing boom in the Netherlands springs from a long-standing tradition of excellence. This tradition precedes WWII, but the aftermath of the war marked a period of particularly close collaboration between photographers and designers. Their contributions led to such unique photography books as Ed van der Elsken's Love on the Left Bank (1956) and Chili September by Koen Wessing (1973). Innovations such as the photo novel and the company photobook bloomed in the 1950s and 60s. Later, other genres emerged as part of the publishing landscape, including conceptual and documentary works. The Dutch Photobook will feature selections from approximately one hundred historic, contemporary, and self-published photobook projects, including landmarks such as Hollandse taferelen by Hans Aarsman (1989), The Table of Power by Jacqueline Hassink (1996), Why Mister Why by Geert van Kesteren (2006), and Empty Bottles by Wassink Lundgren (2007). Dutch photo historians Frits Gierstberg and Rik Suermondt contribute several texts on the history of the genre, the collaborative efforts between photographers and designers, and their inspiration and influences, to complement the special, high-quality reproductions of photobooks. Award-winning designer Joost Grootens contributes unique charts and diagrams that bring all of these elements together, forming a visually unique map of the Dutch photobook.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Frits Gierstberg is a writer and Head of Exhibitions at the Netherlands Fotomuseum, Rotterdam. Stephen Bull is an artist and writer based in Brighton, UK. He is currently Course Director for Photography at Portsmouth University, UK.
Rik Suermondt is a photo historian and member of the Board of the Urban Photography Utrecht (SFU). He is the author of many articles and books, including In Dutch Eyes--A New History of Photography in the Netherlands (2007).
The Dutch photobook is internationally recognized for its innovative and collaborative approach between photographers, printers, and designers. Dutch graphic designers have long worked at the forefront of their discipline, often crossing existing boundaries and exploring new territories-qualities that have become an integral part of contemporary Dutch photobook culture. The current photobook publishing boom in the Netherlands springs from a long-standing tradition of excellence. This tradition precedes WWII, but the aftermath of the war marked a period of particularly close collaboration between photographers and designers. Their contributions led to such unique photography books as Ed van der Elsken's Love on the Left Bank (1956) and Chili September by Koen Wessing (1973). Innovations such as the photo novel and the company photobook bloomed in the 1950s and 60s. Later, other genres emerged as part of the publishing landscape, including conceptual and documentary works. The Dutch Photobook will feature selections from approximately one hundred historic, contemporary, and self-published photobook projects, including landmarks such as Hollandse taferelen by Hans Aarsman (1989), The Table of Power by Jacqueline Hassink (1996), Why Mister Why by Geert van Kesteren (2006), and Empty Bottles by Wassink Lundgren (2007). Dutch photo historians Frits Gierstberg and Rik Suermondt contribute several texts on the history of the genre, the collaborative efforts between photographers and designers, and their inspiration and influences, to complement the special, high-quality reproductions of photobooks. Award-winning designer Joost Grootens contributes unique charts and diagrams that bring all of these elements together, forming a visually unique map of the Dutch photobook.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Hardback. Etat : New. The Dutch photobook is internationally recognized for its innovative and collaborative approach between photographers, printers, and designers. Dutch graphic designers have long worked at the forefront of their discipline, often crossing existing boundaries and exploring new territories-qualities that have become an integral part of contemporary Dutch photobook culture. The current photobook publishing boom in the Netherlands springs from a long-standing tradition of excellence. This tradition precedes WWII, but the aftermath of the war marked a period of particularly close collaboration between photographers and designers. Their contributions led to such unique photography books as Ed van der Elsken's Love on the Left Bank (1956) and Chili September by Koen Wessing (1973). Innovations such as the photo novel and the company photobook bloomed in the 1950s and 60s. Later, other genres emerged as part of the publishing landscape, including conceptual and documentary works. The Dutch Photobook will feature selections from approximately one hundred historic, contemporary, and self-published photobook projects, including landmarks such as Hollandse taferelen by Hans Aarsman (1989), The Table of Power by Jacqueline Hassink (1996), Why Mister Why by Geert van Kesteren (2006), and Empty Bottles by Wassink Lundgren (2007). Dutch photo historians Frits Gierstberg and Rik Suermondt contribute several texts on the history of the genre, the collaborative efforts between photographers and designers, and their inspiration and influences, to complement the special, high-quality reproductions of photobooks. Award-winning designer Joost Grootens contributes unique charts and diagrams that bring all of these elements together, forming a visually unique map of the Dutch photobook. N° de réf. du vendeur LU-9781597112000
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Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. In English. N° de réf. du vendeur ria9781597112000_new
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Vendeur : Springhead Books, Rochester, Royaume-Uni
Hardcover. Etat : As New. 1st Edition. Stunning collection of Dutch photobooks with great photography and critical text, in English. 240 pages, colour illustrations. First edition, first printing. Pictorial boards, no jacket (as issued). No inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. N° de réf. du vendeur 004588
Quantité disponible : 1 disponible(s)
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 240 pages. 11.25x10.00x1.00 inches. In Stock. N° de réf. du vendeur __1597112003
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Vendeur : moluna, Greven, Allemagne
Gebunden. Etat : New. Dutch graphic designers have long worked at the forefront of their discipline, often crossing existing boundaries and exploring new territories qualities that have become a part of contemporary Dutch photobook culture. This title offers selections from appr. N° de réf. du vendeur 596370769
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Vendeur : Books Puddle, New York, NY, Etats-Unis
Etat : New. pp. 288. N° de réf. du vendeur 2650385703
Quantité disponible : 1 disponible(s)
Vendeur : VintagePhotoBooks, Amsterdam, Pays-Bas
Hardcover. Etat : As New. 1st Edition. 240 pages, design by Studio Joost Grootens, 1484 gr, 29 x 24,5 x 2,5 cm. N° de réf. du vendeur 001014
Quantité disponible : 1 disponible(s)
Vendeur : Rarewaves.com UK, London, Royaume-Uni
Hardback. Etat : New. The Dutch photobook is internationally recognized for its innovative and collaborative approach between photographers, printers, and designers. Dutch graphic designers have long worked at the forefront of their discipline, often crossing existing boundaries and exploring new territories-qualities that have become an integral part of contemporary Dutch photobook culture. The current photobook publishing boom in the Netherlands springs from a long-standing tradition of excellence. This tradition precedes WWII, but the aftermath of the war marked a period of particularly close collaboration between photographers and designers. Their contributions led to such unique photography books as Ed van der Elsken's Love on the Left Bank (1956) and Chili September by Koen Wessing (1973). Innovations such as the photo novel and the company photobook bloomed in the 1950s and 60s. Later, other genres emerged as part of the publishing landscape, including conceptual and documentary works. The Dutch Photobook will feature selections from approximately one hundred historic, contemporary, and self-published photobook projects, including landmarks such as Hollandse taferelen by Hans Aarsman (1989), The Table of Power by Jacqueline Hassink (1996), Why Mister Why by Geert van Kesteren (2006), and Empty Bottles by Wassink Lundgren (2007). Dutch photo historians Frits Gierstberg and Rik Suermondt contribute several texts on the history of the genre, the collaborative efforts between photographers and designers, and their inspiration and influences, to complement the special, high-quality reproductions of photobooks. Award-winning designer Joost Grootens contributes unique charts and diagrams that bring all of these elements together, forming a visually unique map of the Dutch photobook. N° de réf. du vendeur LU-9781597112000
Quantité disponible : 2 disponible(s)
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Buch. Etat : Neu. Neuware - The Dutch photobook is internationally recognized for its innovative and collaborative approach between photographers, printers, and designers. Dutch graphic designers have long worked at the forefront of their discipline, often crossing existing boundaries and exploring new territories-qualities that have become an integral part of contemporary Dutch photobook culture. The current photobook publishing boom in the Netherlands springs from a long-standing tradition of excellence. This tradition precedes WWII, but the aftermath of the war marked a period of particularly close collaboration between photographers and designers. Their contributions led to such unique photography books as Ed van der Elsken's Love on the Left Bank (1956) and Chili September by Koen Wessing (1973). Innovations such as the photo novel and the company photobook bloomed in the 1950s and 60s. Later, other genres emerged as part of the publishing landscape, including conceptual and documentary works. The Dutch Photobook will feature selections from approximately one hundred historic, contemporary, and self-published photobook projects, including landmarks such as Hollandse taferelen by Hans Aarsman (1989), The Table of Power by Jacqueline Hassink (1996), Why Mister Why by Geert van Kesteren (2006), and Empty Bottles by Wassink Lundgren (2007). Dutch photo historians Frits Gierstberg and Rik Suermondt contribute several texts on the history of the genre, the collaborative efforts between photographers and designers, and their inspiration and influences, to complement the special, high-quality reproductions of photobooks. Award-winning designer Joost Grootens contributes unique charts and diagrams that bring all of these elements together, forming a visually unique map of the Dutch photobook. N° de réf. du vendeur 9781597112000
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Vendeur : BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, Allemagne
Hardcover. Etat : gut. 2012. The Dutch Photobook In englischer Sprache. pages. N° de réf. du vendeur BN406087
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