In September 2011 Barney Kulok was granted special permission to create photographs at the construction site of Louis I. Kahn's Four Freedoms Park in New York City, commissioned in 1970 as a memorial to Franklin D. Roosevelt. The last design Kahn completed before his untimely death in 1974, Four Freedoms Park became widely regarded as one of the great unbuilt masterpieces of twentieth-century architecture. Almost forty years after having been commissioned, it is finally being completed this year, as originally intended. Kulok's black-and-white photographs function as a meditation on the materiality and formal underpinnings of Kahn's theories. More than that, they are a statement about the value of carefully measured photographic seeing at a time when the instant digital photo and its accompanying host of nostalgic filters has become the common currency of the medium. Unbuilt is at once a historical record and a multilayered visual investigation of form and the subtleties of texture-elements that were of fundamental importance to Kahn's phenomenal achievements. As architect Steven Holl writes, "Kulok's photographs free the subject matter from a literal interpretation of the site. They stand as ?Equivalents' to the words about material, light, and shadow that Louis Kahn often spoke."
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Nathaniel Kahn is a documentary filmmaker and the son of Louis I. Kahn. His 2002 film My Architect, in which he travels the world to better understand his long-deceased father, was an Academy Award Nominee for Best Documentary Feature. He also directed the Oscar- and Emmy-nominated 2004 documentary, Two Hands.
In September 2011 Barney Kulok was granted special permission to create photographs at the construction site of Louis I. Kahn's Four Freedoms Park in New York City, commissioned in 1970 as a memorial to Franklin D. Roosevelt. The last design Kahn completed before his untimely death in 1974, Four Freedoms Park became widely regarded as one of the great unbuilt masterpieces of twentieth-century architecture. Almost forty years after having been commissioned, it is finally being completed this year, as originally intended. Kulok's black-and-white photographs function as a meditation on the materiality and formal underpinnings of Kahn's theories. More than that, they are a statement about the value of carefully measured photographic seeing at a time when the instant digital photo and its accompanying host of nostalgic filters has become the common currency of the medium. Unbuilt is at once a historical record and a multilayered visual investigation of form and the subtleties of texture-elements that were of fundamental importance to Kahn's phenomenal achievements. As architect Steven Holl writes, "Kulok's photographs free the subject matter from a literal interpretation of the site. They stand as ?Equivalents' to the words about material, light, and shadow that Louis Kahn often spoke."
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : 4NiceDesign, EVANSTON, IL, Etats-Unis
Hardcover. Etat : Near Fine. 1st Edition. Book edges and corners are fantastic, no shelf wear to covers, binding tight and pages clean. Ships UPS / Priority when possible. Please inquire for shipping details. N° de réf. du vendeur 000075
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Vendeur : A&D Books, South Orange, NJ, Etats-Unis
Hardcover. SIGNED. First edition, first printing. Fine/As New clothbound hardcover; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. "In September 2011, Barney Kulok was granted permission to create photographs at the construction site of Louis I. Kahn's Four Freedoms Park in NYC, commissioned in 1970 as a memorial to Franklin D. Roosevelt. The last design Kahn completed before his untimely death in 1974, Four Freedoms Park remained an unrealized work by one of the masters of twentieth-century architecture. Forty years after the original commission, it was finally completed in 2012. 'Building' is at once a historical record and a multilayered visual investigation of form and the subtleties of texture--elements that were of fundamental importance to Kahn's approach. As architect Steven Holl writes, 'Kulok's photographs free the subject matter from a literal interpretation of the site. They stand as 'Equivalents' to the words about material, light and shadow that Louis Kahn often spoke.'" Appeared on a number of critics' "Best Books of 2012" lists. Photographs by Barney Kulok; essays by Steven Holl and Nathaniel Kahn. SIGNED BY KULOK on the half title; no inscription. From a first edition limited to 1000 unnumbered copies. 80 pages with vellum sheets bound-in and 1 gatefold; 40 duo-toned b&w plates; 12.25 x 10.75 inches. N° de réf. du vendeur 21753
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Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Hardcover. Etat : New. N° de réf. du vendeur 103490
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