In this, her first book, LaToya Ruby Frazier offers an incisive exploration of the legacy of racism and economic decline in America's small towns, as embodied by her hometown of Braddock, Pennsylvania. The work also considers the impact of that decline on the community and on her family, creating a statement both personal and truly political-an intervention in the histories and narratives of the region. Frazier has compellingly set her story of three generations-her Grandma Ruby, her mother, and herself-against larger questions of civic belonging and responsibility. The work documents her own struggles and interactions with family and the expectations of community, and includes the documentation of the demise of Braddock's only hospital, reinforcing the idea that the history of a place is frequently written on the body as well as the landscape. With The Notion of Family, Frazier knowingly acknowledges and expands upon the traditions of classic black-and-white documentary photography, enlisting the participation of her family-and her mother in particular. As Frazier says, her mother is "coauthor, artist, photographer, and subject. Our relationship primarily exists through a process of making images together. I see beauty in all her imperfections and abuse." In the creation of these collaborative works, Frazier reinforces the idea of art and image-making as a transformative act, a means of resetting traditional power dynamics and narratives, both those of her family and those of the community at large.
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LaToya Ruby Frazier (born in Braddock, Pennsylvania, 1982) received her BFA from Edinboro University, Pennsylvania, in 2004, and her MFA from the College of Visual and Performing Arts at Syracuse University, New York, in 2007. She has received numerous grants and awards, including a 2014 Guggenheim Fellowship, 2014 USA Weitz Fellowship, and 2015 MacArthur Fellowship. Frazier teaches in the Department of Photography at the School of the Art Institute of Chicago, and is a visiting critic at Yale University. Her work has been included in exhibitions at major institutions worldwide.
Dawoud Bey is well-known for his work as a photographer, and has been featured in numerous exhibitions, including a mid-career survey at the Walker Art Center, Minneapolis, in 1995. He is a professor of art and a Distinguished College Artist at Columbia College Chicago.
Laura Wexler is a professor of American studies and women s, gender, and sexuality studies at Yale University, as well as the founder and director of the Photographic Memory Workshop at Yale. Her books include the award-winning "Tender Violence: Domestic Visions in an Age of U.S. Imperialism" (2000).
In this, her first book, LaToya Ruby Frazier offers an incisive exploration of the legacy of racism and economic decline in America's small towns, as embodied by her hometown of Braddock, Pennsylvania. The work also considers the impact of that decline on the community and on her family, creating a statement both personal and truly political-an intervention in the histories and narratives of the region. Frazier has compellingly set her story of three generations-her Grandma Ruby, her mother, and herself-against larger questions of civic belonging and responsibility. The work documents her own struggles and interactions with family and the expectations of community, and includes the documentation of the demise of Braddock's only hospital, reinforcing the idea that the history of a place is frequently written on the body as well as the landscape. With The Notion of Family, Frazier knowingly acknowledges and expands upon the traditions of classic black-and-white documentary photography, enlisting the participation of her family-and her mother in particular. As Frazier says, her mother is "coauthor, artist, photographer, and subject. Our relationship primarily exists through a process of making images together. I see beauty in all her imperfections and abuse." In the creation of these collaborative works, Frazier reinforces the idea of art and image-making as a transformative act, a means of resetting traditional power dynamics and narratives, both those of her family and those of the community at large.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Lakeside Books, Benton Harbor, MI, Etats-Unis
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. In this, her first book, LaToya Ruby Frazier offers an incisive exploration of the legacy of racism and economic decline in America's small towns, as embodied by her hometown of Braddock, Pennsylvania. The work also considers the impact of that decline on the community and on her family, creating a statement both personal and truly political-an intervention in the histories and narratives of the region. Frazier has compellingly set her story of three generations-her Grandma Ruby, her mother, and herself-against larger questions of civic belonging and responsibility. The work documents her own struggles and interactions with family and the expectations of community, and includes the documentation of the demise of Braddock's only hospital, reinforcing the idea that the history of a place is frequently written on the body as well as the landscape. With The Notion of Family, Frazier knowingly acknowledges and expands upon the traditions of classic black-and-white documentary photography, enlisting the participation of her family-and her mother in particular. As Frazier says, her mother is "coauthor, artist, photographer, and subject. Our relationship primarily exists through a process of making images together. I see beauty in all her imperfections and abuse." In the creation of these collaborative works, Frazier reinforces the idea of art and image-making as a transformative act, a means of resetting traditional power dynamics and narratives, both those of her family and those of the community at large. Offers an incisive exploration of the legacy of racism and economic decline in Americas small towns. This book considers the impact of that decline on the community and on author's family, creating a statement both personal and truly politicalan intervention in the histories and narratives of the region. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781597112482
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 158 pages. 12.00x10.00x1.00 inches. In Stock. N° de réf. du vendeur xr1597112488
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Vendeur : ThriftBooksVintage, Tukwila, WA, Etats-Unis
Hardcover. Etat : Good. No Jacket. First Edition. First edition, first printing. Shelf and handling wear to cover and binding, with general signs of previous use. Dust jacket missing. First edition, first printing. Shelf and handling wear to cover and binding, with general signs of previous use. Secure packaging for safe delivery. Secure packaging for safe delivery. N° de réf. du vendeur 1778489631
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Vendeur : moluna, Greven, Allemagne
Gebunden. Etat : New. Offers an incisive exploration of the legacy of racism and economic decline in Americas small towns. This book considers the impact of that decline on the community and on author s family, creating a statement both personal and truly politicalan interventio. N° de réf. du vendeur 904426558
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Vendeur : Widney Manor Books, Solihull, MIDLA, Royaume-Uni
Hardcover. Etat : Fine. Book is in fine condition. 156pp with b/w photographs. N° de réf. du vendeur 037517
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Buch. Etat : Neu. Neuware - In this, her first book, LaToya Ruby Frazier offers an incisive exploration of the legacy of racism and economic decline in America's small towns, as embodied by her hometown of Braddock, Pennsylvania. The work also considers the impact of that decline on the community and on her family, creating a statement both personal and truly political-an intervention in the histories and narratives of the region. Frazier has compellingly set her story of three generations-her Grandma Ruby, her mother, and herself-against larger questions of civic belonging and responsibility. The work documents her own struggles and interactions with family and the expectations of community, and includes the documentation of the demise of Braddock's only hospital, reinforcing the idea that the history of a place is frequently written on the body as well as the landscape. With The Notion of Family, Frazier knowingly acknowledges and expands upon the traditions of classic black-and-white documentary photography, enlisting the participation of her family-and her mother in particular. As Frazier says, her mother is 'coauthor, artist, photographer, and subject. Our relationship primarily exists through a process of making images together. I see beauty in all her imperfections and abuse.' In the creation of these collaborative works, Frazier reinforces the idea of art and image-making as a transformative act, a means of resetting traditional power dynamics and narratives, both those of her family and those of the community at large. N° de réf. du vendeur 9781597112482
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Vendeur : Capitol Hill Books, ABAA, Washington, DC, Etats-Unis
Etat : Very Good. First Edition. New York: Aperture, 2014. First Edition. Quarto; patterned cloth stamped in silver; 160pp. Photographs, some color. No dust jacket as issued. Rubbing to edges and corners slightly bumped; binding sound and pages unmarked. A Very Good copy of the Pennsylvania artist's first book, which received the International Center for Photography's Infinity Award in 2015. N° de réf. du vendeur 49141
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Vendeur : Bucklin Gallery, Thornwood, NY, Etats-Unis
Hardcover. Etat : Near Fine. First Edition. SIGNED COPY - Aperture, 2014. Hardcover in patterned cloth boards with titles in silver. First Edition, First Printing (with full numberline ending in 1). 11 x 9.5 inches. 158 pages with 100 duotone images and 32 four-colour video stills, alongside essays by Dennis C. Dickerson and Laura Wexler and an interview by Dawoud Bey. SIGNED by Latoya Ruby Frazier in black on half-title page. BOOK CONDITION: Near Fine; a solid, tight, clean copy showing light rubbing to cover panels, edges and corners. SIGNED In this, her first book, LaToya Ruby Frazier (born 1982) offers an incisive exploration of the legacy of racism and economic decline in America's small towns, as embodied by Braddock, Pennsylvania, Frazier's hometown. The work also considers the impact of that decline on the community and on her family, creating a statement both personal and truly political--an intervention in the histories and narratives of the region that are dominated by stories of Andrew Carnegie and Pittsburgh's industrial past, but largely ignore those of black families and the working classes. Frazier has set her story of three generations--her Grandma Ruby, her mother and herself--against larger questions of civic belonging and responsibility. The work also documents the demise of Braddock's only hospital, reinforcing the idea that the history of a place is frequently written on the body as well as the landscape. With The Notion of Family, Frazier knowingly acknowledges and expands upon the traditions of classic black-and-white documentary photography, enlisting the participation of her family, and her mother in particular. As Frazier says, her mother is "co-author, artist, photographer and subject. Our relationship primarily exists through a process of making images together. I see beauty in all her imperfections and abuse." Frazier's work reinforces the idea of image-making as a transformative act, a means of resetting traditional power dynamics and narratives, both those of her family and those of the community at large. Frazier is a 2014 Guggenheim fellow. Signed. N° de réf. du vendeur 11411
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