Phyllis Galembo nous livre ses photographies des mascarades de l'Afrique de l'Ouest dont les costumes très variés sont inspirés des croyances tribales ancestrales ou des habits royaux de la vieille Europe. Un travail ethnographique fascinant.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Phyllis Galembo's fascination with costume began as a child, when she would go trick-or-treating near her home in Long Island, New York, often alone, dressed in a variety of ensembles made by her mother. 'I still remember the bric-a-brac that she used to fashion my outfits,' Galembo says. 'This is where my lifelong obsession began. I collected Hallowe'en costumes for over 15 years.' After studying photography and printmaking at the University of Wisconsin, in the 1970s she began photographing subjects wearing festival costumes. 'I have a lot of pictures of my friends as upside-down Easter baskets,' she says. Then, in 1985, she travelled to Nigeria to photograph priests and priestesses with their traditional costumes and ceremonial objects. 'I was fascinated by the idea of ritual clothes that had spiritual, transforming power. I followed the story to Haiti, where the priests and priestesses of voodoo are believed to transform via their clothing into magical beings. Once I discovered the Jacmel Kanaval [Haiti's pre-Lenten festival], I felt I had found my metier in the masquerade.'
For over two decades, Phyllis Galembo has documented cultural and religious traditions in Africa and among the African Diaspora. Traveling widely throughout western and central Africa, and regularly to Haiti, her subjects are participants in masquerade events-traditional African ceremonies and contemporary costume parties and carnivals- who use costume, body paint, and masks to create mythic characters. Sometimes entertaining and humorous, often dark and frightening, her portraits document and describe the transformative power of the mask. With a title derived from the Haitian Creole word maské, meaning “to wear a mask”, this album features a selection of over a hundred of the best of Galembo’s masquerade photographs to date organized in country-based chapters, each with her own commentary.
The book is introduced by art historian and curator Chika Okeke-Agulu (himself a masquerade participant during his childhood in Nigeria), for whom Galembo’s photographs raise questions about the survival and evolution of masquerade tradition in the twenty-first century.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G1597113530I4N00
Quantité disponible : 1 disponible(s)
Vendeur : Ullmanbooks, West Linn, OR, Etats-Unis
Hardcover. Etat : Near Fine. 2nd Ed; 2016; Aperture; HC in NF condition with tight binding; No ink marks or highlighting to text; No edge wear and retained high gloss finish to dust jacket; Color photos throughout pages. N° de réf. du vendeur ABE-1777434473076
Quantité disponible : 1 disponible(s)
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur CW-9781597113533
Quantité disponible : 15 disponible(s)
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. For over two decades, Phyllis Galembo has documented cultural and religious traditions in Africa and the African Diaspora. Traveling widely throughout western and central Africa, and regularly to Haiti, her subjects are participants in masquerade eventstraditional African ceremonies and contemporary costume parties and carnivalswho use costume, body paint and masks to create mythic characters. Sometimes entertaining and humorous, often dark and frightening, her portraits document and describe the transformative power of the mask. With a title derived from the Haitian Creole word maske, meaning to wear a mask, this album features a selection of more than 100 of the best of Galembo's masquerade photographs to date, organized in country-based chapters, each with her own commentary. Now back in print by popular demand, the book is introduced by art historian and curator Chika Okeke-Agulu (himself a masquerade participant during his childhood in Nigeria), for whom Galembo's photographs raise questions about the survival and evolution of masquerade tradition in the 21st century. Maske is an album of Phyllis Galembos powerful and thrilling masquerade photographs, from Nigeria, Benin, Ghana, Sierra Leone, Burkina Faso, Zambia, and Haiti. Introduced by art historian Chika Okeke-Agulu, Galembos pictures describe traditional masqueraders and carnival characters and are themselves works of vivid artistic imagination. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781597113533
Quantité disponible : 1 disponible(s)
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Hardback. Etat : New. For over two decades, Phyllis Galembo has documented cultural and religious traditions in Africa and among the African Diaspora. Traveling widely throughout western and central Africa, and regularly to Haiti, her subjects are participants in masquerade events-traditional African ceremonies and contemporary costume parties and carnivals- who use costume, body paint, and masks to create mythic characters. Sometimes entertaining and humorous, often dark and frightening, her portraits document and describe the transformative power of the mask. With a title derived from the Haitian Creole word maské, meaning "to wear a mask", this album features a selection of over a hundred of the best of Galembo's masquerade photographs to date organized in country-based chapters, each with her own commentary. The book is introduced by art historian and curator Chika Okeke-Agulu (himself a masquerade participant during his childhood in Nigeria), for whom Galembo's photographs raise questions about the survival and evolution of masquerade tradition in the twenty-first century. N° de réf. du vendeur LU-9781597113533
Quantité disponible : Plus de 20 disponibles
Vendeur : Chiron Media, Wallingford, Royaume-Uni
Hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. N° de réf. du vendeur 6666-GRD-9781597113533
Quantité disponible : 4 disponible(s)
Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. pp. 208. N° de réf. du vendeur 371539124
Quantité disponible : 3 disponible(s)
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. . 2016. Hardcover. . . . . N° de réf. du vendeur V9781597113533
Quantité disponible : 4 disponible(s)
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 208 pages. 9.50x8.50x0.50 inches. In Stock. N° de réf. du vendeur __1597113530
Quantité disponible : 1 disponible(s)
Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. In English. N° de réf. du vendeur ria9781597113533_new
Quantité disponible : 4 disponible(s)