Articles liés à Phyllis Galembo Maske (new ed)

Phyllis Galembo Maske (new ed) - Couverture rigide

Phyllis Galembo

 
9781597113533: Phyllis Galembo Maske (new ed)

Synopsis

Phyllis Galembo nous livre ses photographies des mascarades de l'Afrique de l'Ouest dont les costumes très variés sont inspirés des croyances tribales ancestrales ou des habits royaux de la vieille Europe. Un travail ethnographique fascinant.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

À propos de l'auteur

Phyllis Galembo's fascination with costume began as a child, when she would go trick-or-treating near her home in Long Island, New York, often alone, dressed in a variety of ensembles made by her mother. 'I still remember the bric-a-brac that she used to fashion my outfits,' Galembo says. 'This is where my lifelong obsession began. I collected Hallowe'en costumes for over 15 years.' After studying photography and printmaking at the University of Wisconsin, in the 1970s she began photographing subjects wearing festival costumes. 'I have a lot of pictures of my friends as upside-down Easter baskets,' she says. Then, in 1985, she travelled to Nigeria to photograph priests and priestesses with their traditional costumes and ceremonial objects. 'I was fascinated by the idea of ritual clothes that had spiritual, transforming power. I followed the story to Haiti, where the priests and priestesses of voodoo are believed to transform via their clothing into magical beings. Once I discovered the Jacmel Kanaval [Haiti's pre-Lenten festival], I felt I had found my metier in the masquerade.'

À propos de la quatrième de couverture

For over two decades, Phyllis Galembo has documented cultural and religious traditions in Africa and among the African Diaspora. Traveling widely throughout western and central Africa, and regularly to Haiti, her subjects are participants in masquerade events-traditional African ceremonies and contemporary costume parties and carnivals- who use costume, body paint, and masks to create mythic characters. Sometimes entertaining and humorous, often dark and frightening, her portraits document and describe the transformative power of the mask. With a title derived from the Haitian Creole word maské, meaning “to wear a mask”, this album features a selection of over a hundred of the best of Galembo’s masquerade photographs to date organized in country-based chapters, each with her own commentary.
The book is introduced by art historian and curator Chika Okeke-Agulu (himself a masquerade participant during his childhood in Nigeria), for whom Galembo’s photographs raise questions about the survival and evolution of masquerade tradition in the twenty-first century.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.