In On the Frontline, one of the most influential photographers of our time, Susan Meiselas, provides an insightful personal commentary on the trajectory of her career--on her ideas and processes, and her decisions as a photographer. Applying a sociological training to the practice of witness journalism, she compares her process to that of an archaeologist, piecing together shards of evidence to build a three-dimensional cultural understanding of her subjects.
Meiselas achieved worldwide recognition for her photographic coverage of the Nicaraguan Revolution in 1979--first published in 1981 and now regarded as a seminal work of journalism--which followed her exploration of the experience of women on the carnival entertainment circuit, Carnival Strippers (1976). She went on to spend five years exploring and creating a new visual history of the Kurdish people, published as Kurdistan: In the Shadow of History (1997). In On the Frontline, she guides us through the thinking behind each, and many other projects besides, as well as her influential involvement in Magnum Photos as one of its earliest women members. One of the greatest contributors to the evolution of documentary storytelling, Meiselas here offers a compelling insight into her journey as a photographer and thinker.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Susan Meiselas received her BA from Sarah Lawrence College and her MA in visual education from Harvard University. For her groundbreaking work, she has received the Robert Capa Gold Medal for her project in Nicaragua (1979); Leica Award for Excellence (1982); Engelhard Award from the Institute of Contemporary Art (1985); the Hasselblad Foundation Photography Prize (1994); Cornell Capa Infinity Award (2005); and most recently the Harvard Arts Medal (2011). In 1992, she was named a MacArthur Fellow. Meiselas joined Magnum Photos in 1976 and is president of the Magnum Foundation.
Mark Holborn works worldwide as an editor and designer and was formerly an editorial director of Jonathan Cape and editor of Aperture magazine. He edited, with Michael Light, the influential Full Moon series of books illustrating the nine Apollo moon missions (1999) and Antony Gormley on Sculpture (2015). Holborn's other books include The Great War: A Photographic Narrative (with Hilary Roberts, 2013), Shape of Things to Come: New Sculpture (with Meghan Dailey, 2009), Annie Leibovitz: A Photographer's Life 1990-2005 (2006), and Issey Miyake (1995).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. In On the Frontline, one of the most influential photographers of our time, Susan Meiselas, provides an insightful personal commentary on the trajectory of her career--on her ideas and processes, and her decisions as a photographer. Applying a sociological training to the practice of witness journalism, she compares her process to that of an archaeologist, piecing together shards of evidence to build a three-dimensional cultural understanding of her subjects. Meiselas achieved worldwide recognition for her photographic coverage of the Nicaraguan Revolution in 1979--first published in 1981 and now regarded as a seminal work of journalism--which followed her exploration of the experience of women on the carnival entertainment circuit, Carnival Strippers (1976). She went on to spend five years exploring and creating a new visual history of the Kurdish people, published as Kurdistan: In the Shadow of History (1997). In On the Frontline, she guides us through the thinking behind each, and many other projects besides, as well as her influential involvement in Magnum Photos as one of its earliest women members. One of the greatest contributors to the evolution of documentary storytelling, Meiselas here offers a compelling insight into her journey as a photographer and thinker. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781597114271
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Etat : New. KlappentextrnrnSusan Meiselas, one of the most influential photographers of our time and an important contributor to the evolution of documentary storytelling, provides an insightful personalnnnncommentary on the trajectory of her career in S. N° de réf. du vendeur 904426702
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Buch. Etat : Neu. Neuware - Susan Meiselas, one of the most influential photographers of our time and an important contributor to the evolution of documentary storytelling, provides an insightful personalcommentary on the trajectory of her career in Susan Meiselas: On the Frontline. She guides us through her ideas, practices, and decision-making along her journey-from Carnival Strippers (1976) and Nicaragua: June 1978-July 1979 (1981; reissued by Aperture 2008, 2016) to Kurdistan: In the Shadow of History (1997) and Cova da Moura, Portugal (2004). This book includes over one hundred photographs from her earliest work and most iconic images, along with previously unpublished photographs. N° de réf. du vendeur 9781597114271
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Hardcover. Etat : New. Etat de la jaquette : New. Susan Meiselas (illustrateur). 1st Edition. 1st. Edition, 1st. Printing 2017, Light green cloth hardcover with the dust band, 246 page book. This copy is signed and dated only by Susan Meiselas on the first title page. Ms. Miselas is one of the most influential photographers of our time and an important contributor to the evolution of documentary photo journalism. Illustrated with color and black & white images of her missions around the world. Condition : NEW Size: 8vo - over 7¾ - 9¾" tall. Signed by Author(s). Book. N° de réf. du vendeur 051524-U
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