The first play published by an African-American, this comic 1858 melodrama about two slaves who secretly marry explores the racial tensions between North and South in the years just before the Civil War. With its mix of action, comedy, social commentary and an authenticity only a former slave could recreate, The Escape is essential reading for students of black history and literature. It is also a remarkable glimpse at characters and situations rarely seen from the contemporary black perspective. Born into slavery, American author WILLIAM WELLS BROWN (1814-1884) escaped to the North where he became a prominent abolitionist lecturer, novelist, playwright, and historian. His novel, Clotel: or, The President's Daughter, is considered by historians to be the first novel written by an African American. His other works include The Negro in the American Rebellion and The Black Man.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
This volume is produced from digital images from the Cornell University Library Samuel J. May Anti-Slavery Collection
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : Good. A well-known nineteenth-century abolitionist and former slave, William Wells Brown was a prolific writer and lecturer who captivated audiences with readings of his drama The Escape; or, a Leap for Freedom (1858). The first published play by an African American writer, The Escape explored the complexities of American culture at a time when tensions between North and South were about to explode into the Civil War. This new volume presents the first-edition text of Brown's play and features an extensive introduction that establishes the work's continuing significance.The Escape centers on the attempted sexual violation of a slave and involves many characters of mixed race, through which Brown commented on such themes as moral decay, white racism, and black self-determination. Rich in action and faithful in dialect, it raises issues relating not only to race but also to gender by including concepts of black and white masculinity and the culture of southern white and enslaved women. It portrays a world in which slavery provided a convenient means of distinguishing between the white North and the white South, allowing northerners to express moral sentiments without recognizing or addressing the racial prejudice pervasive among whites in both regions.John Ernest's introductory essay balances the play's historical and literary contexts, including information on Brown and his career, as well as on slavery, abolitionism, and sectional politics. It also discusses the legends and realities of the Underground Railroad, examines the role of antebellum performance art -- including blackface minstrelsy and stage versions of Uncle Tom's Cabin -- in the construction of race and national identity,and provides an introduction to theories of identity as performance.A century and a half after its initial appearance, The Escape remains essential reading for students of African American literature. Ernest's keen analysis of this classic play will enrich readers' appreciation of both the drama itself and the era in which it appeared. N° de réf. du vendeur CIN1602066450G
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