Jean-Léon Gérôme (1824-1904) was an undisputed success during his life. Crowds flocked to see his vibrant compositions and thanks to mass marketing of his work through mechanical reproduction, he reached audiences on an unprecedented scale. Despite Gérômes undisputed accomplishments, his success met with critical hostility. Emile Zola, champion of Édouard Manet, dismissed Gérôme as a cynical manufacturer of anecdotal images for popular consumption a critique repeatedly levelled at artists in the years since. In light of revisionist and postmodern trends over the past four decades, however, Gérômes work is now being approached with unprecedented seriousness and refreshing candour. The ten essays in this volume go far in challenging critical biases against the artist and indeed suggest that we are just beginning to learn how to read Gérômes paintings in their full complexity.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Scott Allan is assistant curator in the Dept of paintings at the J. Paul Getty Museum. Mary Morton is curator of French painting at the National Gallery of Art, Washington, DC.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : New. Jean-Leon Gerome (1824-1904) was an undisputed success during his life. Crowds flocked to see his vibrant compositions and thanks to mass marketing of his work through mechanical reproduction, he reached audiences on an unprecedented scale. This title includes the essays challenging critical biases against the artist. Editor(s): Morton, Mary. Num Pages: 168 pages, 8 full colour & 27 b&w illustrations. BIC Classification: ACV; AFC; AFKB; AGB. Category: (G) General (US: Trade). Dimension: 240 x 153 x 10. Weight in Grams: 346. . 2010. First Edition. Paperback. . . . . N° de réf. du vendeur V9781606060384
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Etat : New. Jean-Leon Gerome (1824-1904) was an undisputed success during his life. Crowds flocked to see his vibrant compositions and thanks to mass marketing of his work through mechanical reproduction, he reached audiences on an unprecedented scale. This title includes the essays challenging critical biases against the artist. Editor(s): Morton, Mary. Num Pages: 168 pages, 8 full colour & 27 b&w illustrations. BIC Classification: ACV; AFC; AFKB; AGB. Category: (G) General (US: Trade). Dimension: 240 x 153 x 10. Weight in Grams: 346. . 2010. First Edition. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9781606060384
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Etat : New. Jean-Leon Gerome (1824-1904) was an undisputed success during his life. Crowds flocked to see his vibrant compositions and thanks to mass marketing of his work through mechanical reproduction, he reached audiences on an unprecedented scale. This title inclu. N° de réf. du vendeur 904471756
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Paperback. Etat : New. Jean-Là on Gà rà me (1824?1904) was an undisputed professional success during his lifetime. Crowds flocked to see his vividly rendered historical and Orientalist compositions, and thanks to the mass marketing of his work through mechanical reproduction, he reached audiences on an unprecedented scale.From the outset, however, his success met with critical hostility. Ãmile Zola, champion of Ãdouard Manet, dismissed Gà rà me as a cynical manufacturer of anecdotal images for popular consumptionâ"a critique repeatedly echoed by historians of modern art. In light of revisionist and postmodern trends over the past four decades, however, Gà rà me?s work is now being approached with unprecedented seriousness and refreshing creativity. The ten essays in this volume go far in challenging critical biases against the artist and suggesting new avenues of research. These papers indeed suggest that we are just beginning to learn how to ?read? Gà rà me?s paintings in their full complexity. N° de réf. du vendeur 94269
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