In the wake of the Counter-Reformation, Cardinal Gabriele Paleotti, the archbishop of Bologna, wrote a remarkable treatise on art during a time when the Church feared rampant abuse in the arts. Translated into English here for the first time, Paleotti's Discourse on Sacred and Profane Images argues that art should address a broad audience and explains the painter's responsibility to his spectators. The Discourse is introduced by historian Paolo Prodi, who explains how--even if the archbishop did not succeed in reforming the arts--Paleotti's treatise constituted one last synthesis of art as a reading of creation and salvation history, and "sacred" art as a vehicle of devotion.
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Gabriele Paleotti (1522-1597) was an Italian cardinal and archbishop of Bologna. Paolo Prodi is professor emeritus of modern history at the Università di Bologna, a member of the Accademia dei Lincei of Rome, and president of the Italian Giunta Storica Nazionale. William McCuaig is a translator living in Montreal and the author of Carlo Sigonio: The Changing World of the Late Renaissance (Princeton University Press, 1989).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : New. This is the first English translation of Gabriele Paleotti's 16th century treatise on the role of art in society. In the wake of the Counter-Reformation, Cardinal Gabriele Paleotti, the archbishop of Bologna, wrote a remarkable treatise on art during a time when the Church feared rampant abuse in the arts. Translated into English for the first time, Paleotti's "Discourse on Sacred and Profane Images" argues that art should address a broad audience and explains the painter's responsibility to his spectators. "The Discourse" is introduced by historian Paolo Prodi, who explains how - even if the archbishop did not succeed in reforming the arts - Paleotti's treatise constituted one last synthesis of art as a reading of creation and salvation history, and "sacred" art as a vehicle of devotion. N° de réf. du vendeur LU-9781606061169
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Etat : New. 2012. 1st Edition. Paperback. Argues that art should address a broad audience and explains the painter's responsibility to his spectators. This book explains how - even if the archbishop did not succeed in reforming the arts - Paleotti's treatise constituted one last synthesis of art as a reading of creation and salvation history, and "sacred" art as a vehicle of devotion. Translator(s): McCuaig, William. Num Pages: 368 pages, 11 black & white illustrations. BIC Classification: AC. Category: (G) General (US: Trade). Dimension: 253 x 181 x 23. Weight in Grams: 1088. . . . . . N° de réf. du vendeur V9781606061169
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Etat : New. 2012. 1st Edition. Paperback. Argues that art should address a broad audience and explains the painter's responsibility to his spectators. This book explains how - even if the archbishop did not succeed in reforming the arts - Paleotti's treatise constituted one last synthesis of art as a reading of creation and salvation history, and "sacred" art as a vehicle of devotion. Translator(s): McCuaig, William. Num Pages: 368 pages, 11 black & white illustrations. BIC Classification: AC. Category: (G) General (US: Trade). Dimension: 253 x 181 x 23. Weight in Grams: 1088. . . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9781606061169
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