Once considered the golden age of French printmaking, Louis XIV's reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture.
This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliothèque nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries. A Kingdom of Images is published to coincide with an exhibition on view at the Getty Research Institute from June 18 through September 6, 2015, and at the Bibliothèque nationale de France in Paris from November 2, 2015, through January 31, 2016.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Peter Fuhring works at the Fondation Custodia, Paris, where he is in charge of Frits Lugt's Marques de collections de dessins & d'estampes. Louis Marchesano is curator of prints and drawings at the Getty Research Institute. Rémi Mathis and Vanessa Selbach are curators of seventeenth-century prints in the département des Estampes et de la Photographie at the Bibliothèque nationale de France in Paris, where Vanessa Selbach is also head of the Réserve and old master prints service.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. N° de réf. du vendeur M1606064509Z3
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Vendeur : LEFT COAST BOOKS, Santa Maria, CA, Etats-Unis
Hardcover. Etat : Near Fine. Etat de la jaquette : Fine. 1st. Cloth, xi, 332 pages, illustrations; 29 cm. Near fine. Firm binding, clean inside copy. Spine slightly rolled at the crown. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Profusely illustrated. *** "Once considered the golden age of French printmaking, Louis XIV's reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture. This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliothe`que nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries." - Publisher. *** CONTENTS: The arts in the service of the king's glory, by Thomas W. Gaehtgens; Printmaking under Louis XIV, by Maxime Preaud; What is a print? The fabrication of images, by Vanessa Selbach; What is a printmaker?, by Remi Mathis; Publishers, sellers, and the market, by Peter Fuhring; Collectors and collecting prints, by Veronique Meyer; On the critical fortune of Girard Audran and Gerard Edelinck, by Louis Marchesano; Catalog. Size: 4to. Collectible. N° de réf. du vendeur 210976
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Etat : New. 344. N° de réf. du vendeur 373726261
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Features the golden age of French printmaking. This catalogue features more than one hundred prints from the Getty Research Institute and the Bibliotheque nationale de France in Paris, whose print collection Louis XIV established in 1667. It studies how prints were collected and considers their reception in the ensuing centuries. Num Pages: 344 pages, 51 colour & 138 b/w illustrations. BIC Classification: AB. Category: (P) Professional & Vocational. Dimension: 293 x 258 x 38. Weight in Grams: 2050. . 2015. 1st Edition. Hardcover. . . . . N° de réf. du vendeur V9781606064504
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HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur WY-9781606064504
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Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. Features the golden age of French printmaking. This catalogue features more than one hundred prints from the Getty Research Institute and the Bibliotheque nationale de France in Paris, whose print collection Louis XIV established in 1667. It studies how prints were collected and considers their reception in the ensuing centuries. Num Pages: 344 pages, 51 colour & 138 b/w illustrations. BIC Classification: AB. Category: (P) Professional & Vocational. Dimension: 293 x 258 x 38. Weight in Grams: 2050. . 2015. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9781606064504
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Hardcover. Etat : Brand New. 1st edition. 344 pages. 12.00x12.00x1.00 inches. In Stock. N° de réf. du vendeur __1606064509
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