Between the postwar years and the 1980s in Britain, and in particular in London, a number of figurative painters simultaneously reinvented the way in which life is represented in art. Focusing on the depiction of the human figure, these artists rendered the frailty and vitality of the human condition.
Offering a fresh account of developments that have since characterized postwar British painting, this catalogue focuses on Michael Andrews, Frank Auerbach, Francis Bacon, Lucian Freud, R. B. Kitaj, and Leon Kossoff-- artists who worked in close proximity as they were developing new forms of realism. If for many years their efforts seemed to clash with dominant tendencies, reassessment in recent decades has afforded their work a central position in a richer and more complex understanding of postwar British art and culture. Rigorous and gorgeously illustrated, the essays reflect on the parallel yet diverse trajectories of these artists, their friendships and mutual admiration, and the divergence of their practice from the discourse of high modernism. The authors seek to dispel the notion of their work as a uniquely British endeavor by highlighting the artists' international outlook and ongoing dialogue with contemporary European and American painters as well as masters from previous generations. This book is published to coincide with an exhibition at the J. Paul Getty Museum from July 26 through November 13, 2016.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Elena Crippa is curator of modern and contemporary British art at Tate Britain. Catherine Lampert is an independent curator and art historian.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover without dustjacket as issued, 138 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur LoCrGe25
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Vendeur : Browsing Is Arousing, Middlebury, VT, Etats-Unis
Etat : Very Good. Hardcover, 136 pages. Offering a fresh account of developments that have since characterized postwar British painting, this catalogue focuses on Michael Andrews, Frank Auerbach, Francis Bacon, Lucian Freud, R. B. Kitaj, and Leon Kossoff? artists who worked in close proximity as they were developing new forms of realism. If for many years their efforts seemed to clash with dominant tendencies, reassessment in recent decades has afforded their work a central position in a richer and more complex understanding of postwar British art and culture. Rigorous and gorgeously illustrated, the essays reflect on the parallel yet diverse trajectories of these artists, their friendships and mutual admiration, and the divergence of their practice from the discourse of high modernism. The authors seek to dispel the notion of their work as a uniquely British endeavor by highlighting the artists? international outlook and ongoing dialogue with contemporary European and American painters as well as masters from previous generations. Record # 371619. N° de réf. du vendeur 371619
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Vendeur : LEFT COAST BOOKS, Santa Maria, CA, Etats-Unis
Hardcover. Etat : Near Fine. 1st. Pictorial boards, xiii, 138 pages, illustrations (some colour); 29 cm. This publication accompanies the exhibitionat the J. Paul Getty Museum at the Getty Center, Los Angeles, from July 26 to November 13, 2016. Near fine. Firm binding, clean inside copy. Lower right corners bumped. A large-format coffee-table book. Richly illustrated with colour plates. *** "Between the postwar years and the 1980s in Britain, and in particular in London, a number of figurative painters simultaneously reinvented the way in which life is represented in art. Focusing on the depiction of the human figure, these artists rendered the frailty and vitality of the human condition. Offering a fresh account of developments that have since characterized postwar British painting, this catalogue focuses on Michael Andrews, Frank Auerbach, Francis Bacon, Lucian Freud, R. B. Kitaj, and Leon Kossoff artists who worked in close proximity as they were developing new forms of realism. If for many years their efforts seemed to clash with dominant tendencies, reassessment in recent decades has afforded their work a central position in a richer and more complex understanding of postwar British art and culture. Rigorous and gorgeously illustrated, the essays reflect on the parallel yet diverse trajectories of these artists, their friendships and mutual admiration, and the divergence of their practice from the discourse of high modernism. The authors seek to dispel the notion of their work as a uniquely British endeavor by highlighting the artists' international outlook and ongoing dialogue with contemporary European and American painters as well as masters from previous generations." - Publisher. *** CONTENTS: Foreword, by Timothy Potts, Director, J. Paul Getty Museum; Foreword, by Nicholas Serota, Director, Tate; Lenders to the Exhibition; The human condition: six modern painters reinvent reality, by Elena Crippa; An intensification of reality, by Catherine Lampert; Artists biographies (Bacon, Freud, Kossoff, Andres, Auerbach, Kitaj), by Sarah Olivey; Works in the exhibition. Size: 4to. N° de réf. du vendeur 211865
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Hardcover. Etat : Fine Condition. 1st Edition. 138 pages. Hardcover exhibition catalogue. Texts in English. Very minimal shelfwear to the edges and corners of the boards. Else, the binding is tight, the interior clean and free of markings. Bound in navy cloth covered boards with an illustrated paste down on the front cover, issued without a dustjacket. Published on the occasion of the exhibition held from July 26-November 13, 2016. Book. N° de réf. du vendeur 026350
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Vendeur : Springhead Books, Rochester, Royaume-Uni
Hardcover. Etat : Very Good. 1st Edition. Contents: The human condition : six modern painters reinvent reality / Elena Crippa -- An intensification of reality / Catherine Lampert -- Artists' biographies / Sarah Olivey. This publication accompanies the exhibition on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from July 26 to November 13, 2016. xiii, 138 pages : illustrations (black and white, and colour) ; 29 cm. First edition, first printing. Blue cloth illustrated boards, slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. N° de réf. du vendeur 016735
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