Ever since the mid-nineteenth century, when the new medium of photography was pressed into service to illustrate sculpture, photographs of sculptural objects have directed viewers as to what, in the course of ambling around a sculpture, was the single perfect moment to stop and look. What is the photograph's place in writing the history of sculpture? How has it changed according to culture, generation, criti-cal conviction, and changes in media? Photography and Sculpture: The Art Object in Reproduction studies aspects of these questions from the perspectives of sixteen leading art historians. Their essays consider iconic photographs, archival collections, new and forgotten technologies, and conceptual challenges in photographing three-dimensional forms that have directed changing historical and stylistic attitudes about how we see, write about, and narrate histories of sculpture. Chapters on such varied topics as picturing Conceptual art, manipulating sacred images in India to be non-photographs, and framing Roman art with an iPad illustrate the latent visual and narrative powers and ever-expanding potential of these images of sculpture.
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Sarah Hamill is assistant professor of modern and contemporary art at Oberlin College. Megan R. Luke is assistant professor of art history at the University of Southern California.
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Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Paperback. Etat : Good. Ever since the mid-nineteenth century, when the new medium of photography was pressed into service to illustrate sculpture, photographs of sculptural objects have directed viewers as to just when, in the course of ambling around a sculpture, was the single perfect moment to stop and look. What is the photograph's place in writing the history of sculpture? How has it changed according to culture, generation, critical conviction, and changes in media? Photography and Sculpture: The Art Object in Reproduction studies aspects of these questions from the perspectives of sixteen leading art historians. Chapters on such varied topics as picturing Conceptual art, manipulating sacred images in India to be nonphotographs, and framing Roman art with an iPad illustrate the latent visual and narrative powers and ever-expanding potential of these images of sculpture. N° de réf. du vendeur CIN1606065343G
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Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. N° de réf. du vendeur M1606065343Z3
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Paperback. Etat : Good. Ever since the mid-nineteenth century, when the new medium of photography was pressed into service to illustrate sculpture, photographs of sculptural objects have directed viewers as to just when, in the course of ambling around a sculpture, was the single perfect moment to stop and look. What is the photograph's place in writing the history of sculpture? How has it changed according to culture, generation, critical conviction, and changes in media? Photography and Sculpture: The Art Object in Reproduction studies aspects of these questions from the perspectives of sixteen leading art historians. Chapters on such varied topics as picturing Conceptual art, manipulating sacred images in India to be nonphotographs, and framing Roman art with an iPad illustrate the latent visual and narrative powers and ever-expanding potential of these images of sculpture. N° de réf. du vendeur CIN1606065343G
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Soft cover. Etat : Good. No jacket. The cover is shelf worn with the bottom corner edge of the front cover being creased. The top and bottom edges of the cover are worn. The bottom edge of the text block has a red marking from a marker, visible on some page margins. Binding is secure and all other pages are clean and unmarked. N° de réf. du vendeur 1149872
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Paperback. Etat : Good +. Book cover has light rubbing, light edge/corner wear, and crease down middle of front cover bending outer half slightly upward - otherwise still in sturdy and presentable condition. Tight binding, a bit of light smudging to top and bottom of textblock. First ~1/2 of pages slightly curved following front cover, otherwise pages are clean and crisp. Overall in sturdy condition, an excellent reading copy. N° de réf. du vendeur 1026364
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Etat : New. Brand New. N° de réf. du vendeur 9781606065341
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. 2017. Paperback. . . . . . N° de réf. du vendeur V9781606065341
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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur WY-9781606065341
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur WY-9781606065341
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