This groundbreaking book provides the first detailed account of the materials and techniques of perhaps the most radical--and until now, least studied--major American Abstract Expressionist.
Among the most radical of the great American Abstract Expressionist painters, Clyfford Still has also long been among the least studied. Still severed ties with the commercial art world in the early 1950s, and his estate at the time of his death in 1980 comprised some 3,125 artworks--including more than 800 paintings--that were all but unknown to the art world. Susan F. Lake and Barbara A. Ramsay were granted access to this collection by the estate and by the Clyfford Still Museum in Denver, which houses this immense corpus today. This volume, based on the authors' materials research and enriched by their unprecedented access to Still's artworks, paints, correspondence, studio records, and personal library, provides the first detailed account of his materials, working methods, and techniques. Initial chapters provide an engaging and erudite overview of the artist's life. Subsequent chapters trace the development of his visionary style, offer in-depth materials analysis of selected works from each decade of his career, and suggest new approaches to the care and conservation of his paintings. There is also a series of technical appendices as well as a full bibliography.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Susan F. Lake recently retired from her position as director of collection management and chief conservator at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC.
Barbara A. Ramsay is chief conservator at the John and Mable Ringling Museum of Art. She was the first conservator for the Clyfford Still and Patricia A. Still Estate.Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. This groundbreaking study investigates the close and paradoxical relationship of art and race during the Enlightenment. In this text, French art historian Anne Lafont examines the complexities and contradictions in Enlightenment-era ideas about race, focusing on the figurations of Africans and other people of color. Through studies of a wide range of eighteenth-century art, Lafont grounds her analysis in the objects themselves and, by doing so, highlights how visual works can reveal the values of the culture that produced them. While Lafont locatesunsurprisinglyinstances of the marginalization and objectification of Black people, she also draws attention to depictions that present African sitters as subjects in their own right. For example, Anne-Louis Girodet's Portrait of Jean-Baptiste Belley (1797) offers a dignified, individualized representation of this formerly enslaved French politician from Saint-Domingue; and portraits of anonymous sitters show them as actual persons whose costumes and poses demonstrate their agency. Ultimately, Lafont moves beyond artworks to consider the broader intellectual context of the Enlightenment, particularly ideas about freedom, equality, and universal human rights, which were anchored in visual culture and indexed by it. She reveals how these ideals often conflicted with the realities of colonialism and the shifting status of Black people during this era. This groundbreaking book provides the first detailed account of the materials and techniques of perhaps the most radical-and, until now, least studied-major American Abstract Expressionist. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781606066959
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Paperback. Etat : New. Among the most radical of the great American Abstract Expressionist painters, Clyfford Still has also long been among the least studied. Still severed ties with the commercial art world in the early 1950s, and his estate at the time of his death in 1980 comprised some 3,125 artworks-including more than 800 paintings-that were all but unknown to the art world. Susan F. Lake and Barbara A. Ramsay were granted access to this collection by the estate and by the Clyfford Still Museum in Denver, which houses this immense corpus today.This volume, based on the authors' materials research project and enriched by their unprecedented access to Still's artworks, paints, correspondence, studio records, and personal library, provides the first detailed account of the artist's materials, working methods, and techniques. Initial chapters provide an engaging and erudite overview of Still's life. Subsequent chapters trace the development of his visionary style, offer in-depth materials analysis of selected works from each decade of his career, and suggest new approaches to the care and conservation of his paintings. The richly illustrated narrative is complemented by a series of technical appendices and a full bibliography. N° de réf. du vendeur LU-9781606066959
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