In Western European languages, the word mask exerts a powerful presence as a figure of speech.
To masquerade is to pretend to be someone or something one is not. By extension, unmasking is a heroic metaphor for exposing a hidden truth. In this volume, art historian Z. S. Strother counters that narrative, using African case studies to offer an alternative vision of masquerading. She explores the aesthetic emotions aroused by masks, or more precisely, by "dances of masks": joy, wonder, awe, fear, and the release of laughing out loud. She also investigates the uncanny-a sensation of "delicious shiveriness" triggered when familiar spaces and individuals become strange and changeable. Inspired by Strother's studies in DR Congo, African Masks and Emotions takes a comparative perspective and moves emotion from the periphery to the centre of analysis.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Z. S. Strother is the Riggio Professor of African Art at Columbia University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. In Western European languages, the word mask exerts a powerful presence as a figure of speech. To masquerade is to pretend to be someone or something one is not. By extension, unmasking is a heroic metaphor for exposing a hidden truth. In this volume, art historian Z. S. Strother counters that narrative, using African case studies to offer an alternative vision of masquerading. She explores the aesthetic emotions aroused by masks, or more precisely, by "dances of masks": joy, wonder, awe, fear, and the release of laughing out loud. She also investigates the uncanny-a sensation of "delicious shiveriness" triggered when familiar spaces and individuals become strange and changeable. Inspired by Strother's studies in DR Congo, African Masks and Emotions takes a comparative perspective and moves emotion from the periphery to the center of analysis. N° de réf. du vendeur LU-9781606069936
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Paperback. Etat : new. Paperback. In this open-access text, Z. S. Strother uses ethnographic studies of individual mask cultures in Africa to dispute the assumptions that masks universally hide, reveal, or transform. In Western European languages, the word mask exerts a powerful presence as a figure of speech. To masquerade is to pretend to be someone or something one is not. By extension, unmasking is a heroic metaphor for exposing a hidden truth. In this volume, art historian Z. S. Strother counters that narrative, using African case studies to offer an alternative vision of masquerading. She explores the aesthetic emotions aroused by masks, or more precisely, by "dances of masks": joy, wonder, awe, fear, and the release of laughing out loud. She also investigates the uncannya sensation of "delicious shiveriness" triggered when familiar spaces and individuals become strange and changeable. Inspired by Strother's studies in Congo-Kinshasa, African Masks and Emotions takes a comparative perspective and moves emotion from the periphery to the center of analysis. In this open-access text, Z.S. Strother uses ethnographic studies of individual mask cultures in Africa to dispute the assumptions that masks universally hide, reveal, or transform. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781606069936
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Paperback. Etat : New. In Western European languages, the word mask exerts a powerful presence as a figure of speech. To masquerade is to pretend to be someone or something one is not. By extension, unmasking is a heroic metaphor for exposing a hidden truth. In this volume, art historian Z. S. Strother counters that narrative, using African case studies to offer an alternative vision of masquerading. She explores the aesthetic emotions aroused by masks, or more precisely, by "dances of masks": joy, wonder, awe, fear, and the release of laughing out loud. She also investigates the uncanny-a sensation of "delicious shiveriness" triggered when familiar spaces and individuals become strange and changeable. Inspired by Strother's studies in DR Congo, African Masks and Emotions takes a comparative perspective and moves emotion from the periphery to the center of analysis. N° de réf. du vendeur LU-9781606069936
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