The bull was jet black, and the corners of its eyes were blood-red. It was just as if it had stood there all the time waiting for him. Escape was impossible; there was nothing for it but to fight. Victor glanced at the ground and saw a stout cudgel, newly cut. He seized it and took up his position. The bull backed like a steam-boat, smoke coming through its nostrils, then rushed forward at full speed.
The cudgel flashed through the air and with a sound like a shot hit the bull right between the eyes. Victor sprang aside, and the bull dashed past him. Then Victor, terrified, saw the monster make for the border of the wood, from whence his sweetheart, in a light summer dress, emerged to meet him.
"Climb up the tree, Anna," he shouted. "The bull's coming!" It was a cry of anguish from the bottom of his soul.
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Johan August Strindberg (1849 - 1912) was a Swedish playwright, novelist, poet, essayist and painter. A prolific writer who often drew directly on his personal experience, Strindberg's career spanned four decades, during which time he wrote over sixty plays and more than thirty works of fiction, autobiography, history, cultural analysis and politics. A bold experimenter and iconoclast throughout, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama and history plays, to his anticipations of expressionist and surrealist dramatic techniques. From his earliest work, Strindberg developed innovative forms of dramatic action, language and visual composition. He is considered the "father" of modern Swedish literature and his The Red Room (1879) has frequently been described as the first modern Swedish novel.
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