Bent collects Cooper’s finest, most revealing paintings, ink drawings, pencil sketches, and photographs from the past five years, many of which enjoy homes in the collections of influential collectors and some of Hollywood’s elite. In this monograph, Dave Cooper continues to obsess and fixate over his bizarre procession of milky figures as they crawl and wriggle into hidden meadows, jungles and cities. Everything in this world seems to be undulating and overripe―the multi-colored Jell-O vegetation, the billowing clouds, and the twitching, agitated women, whether thin like sinewy rubber, or fat and bursting with doughy flesh. The characters in Cooper’s work have been likened to a dog chasing its tail. Or maybe it’s as though they’re like someone on drugs who can stare at their own hand for 20 minutes; either way, these girls are hypnotized by wriggling around on the ground, twisting in on themselves, walking on their hands, squeezing and chewing one another. This fine art may sound hellish, but to the demons, hell must seem like heaven. So maybe Cooper’s landscapes are more like a weird kind of utopia where all those insane facial expressions and physical contortions are more an expression of elation or giddiness.
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Bent collects Cooper’s finest, most revealing paintings, ink drawings, pencil sketches, and photographs from the past five years, many of which enjoy homes in the collections of influential collectors and some of Hollywood’s elite. In this monograph, Dave Cooper continues to obsess and fixate over his bizarre procession of milky figures as they crawl and wriggle into hidden meadows, jungles and cities. Everything in this world seems to be undulating and overripe―the multi-colored Jell-O vegetation, the billowing clouds, and the twitching, agitated women, whether thin like sinewy rubber, or fat and bursting with doughy flesh. The characters in Cooper’s work have been likened to a dog chasing its tail. Or maybe it’s as though they’re like someone on drugs who can stare at their own hand for 20 minutes; either way, these girls are hypnotized by wriggling around on the ground, twisting in on themselves, walking on their hands, squeezing and chewing one another. This fine art may sound hellish, but to the demons, hell must seem like heaven. So maybe Cooper’s landscapes are more like a weird kind of utopia where all those insane facial expressions and physical contortions are more an expression of elation or giddiness.
Fine artist Dave Cooper offers readers a window into the wobbly doll's house that is his mind's eye - the work in Bent gathers a diverse mix of imagery that is also strangely focussed in its single-mindedness. Cooper continues to obsess over his bizarre procession of milky figures as they crawl and wriggle into hidden meadows, jungles and cities. Everything in this world seems to be undulating and overripe - the multi-coloured jelly vegetation, the billowing clouds and the twitching, agitated women, whether thin and sinewy or fat and bursting with doughy flesh.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Encore Books, Montreal, QC, Canada
Hardcover. Etat : Very Good. Hardcover book in very good condition. Questions welcome. We ship internationally from the United States and Canada every week. If buying internationally, please be aware that additional charges may apply for heavier books. We guarantee a safe, quick, and secure transaction. 10+ years in online bookselling experience. N° de réf. du vendeur 021336
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Vendeur : Twice Sold Tales, Capitol Hill, Seattle, WA, Etats-Unis
Hardcover, unpaginated. Etat : Near fine. Light superficial scuffs to pictorial boards, corners slightly bumped, else near fine. N° de réf. du vendeur 11603
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Vendeur : Scarthin Books ABA, ILAB., Cromford, Royaume-Uni
Hardcover. Etat : Fine. N° de réf. du vendeur 15414
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