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LISTEN, WHITEY!: The Sounds of Black Power 1965-1975 HC - Couverture rigide

Thomas, Pat

 
9781606995075: LISTEN, WHITEY!: The Sounds of Black Power 1965-1975 HC

Synopsis

In Listen, Whitey! The Sounds of Black Power 1965-1975 author Pat Thomas examines rare recordings of speeches, interviews, and music from the Black Power Party, by noted activists Huey Newton, Bobby Seale, Eldridge Cleaver, Elaine Brown, The Lumpen and many others. He also chronicles the forgotten history of Motown Records: from 1970 to 1973, Motown’s Black Power subsidiary label, Black Forum, released politically charged albums by Stokely Carmichael, Amiri Baraka, Langston Hughes, Bill Cosby & Ossie Davis, and many others. Listen, Whitey! also spotlights obscure recordings produced by SNCC, Ron Karenga’s US, the Tribe and other African-American sociopolitical organizations of the late 1960s and early ’70s, Black Consciousness poetry, and inspired religious recordings that infused god and Black Nationalism.

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À propos de l'auteur

Pat Thomas is the author of Listen, Whitey! The Sights & Sounds of Black Power 1965-1975, Did It! Jerry Rubin: An American Revolutionary, and co-editor of Invitation to Openness: The Jazz & Soul Photography of Les McCann 1960-1980. In co-operation with the Estate of Allen Ginsberg, Thomas edited the visual tome Material Wealth: The Personal Archives of Allen Ginsberg, with a forward by poet Anne Waldman, which won a PEN award in 2024. Thomas was the co-editor of Ernie in Kovacsland: Drawings, and Photographs from Television's Original Genius and Grievous Angels, Trout Masks, and American Beauties: 1970s Rock & Roll Photography of Ginny Winn with an introduction by Maria Muldaur. He lives on America's left coast.

À propos de la quatrième de couverture

With 90,000 words of text, accompanied by over 250 full-color reproductions of album covers and 45 rpm singles, Listen, Whitey! Chronicles the images and sounds of the Black Power movement which galvanized black America and struck fear into the heart of the white establishment in the late '60s and early '70s. The work of activists and artists such as Huey Newton, Nina Simone, the Last Poets and many others are examined along with the musical connections between the Black Power movement and Bob Dylan, John Lennon and the Partridge Family (!?!).

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.