This book is an interdisciplinary collection of essays examining Goethe's Faust and its derivatives in European, North American, and South American cultural contexts. It takes both a canonic and archival approach to Faust in studies of adaptations, performances, appropriations, sources, and the translation of the drama contextualized within cultural environments ranging from Gnosticism to artificial intelligence. Lorna Fitzsimmons' introduction sets this scholarship within a critical framework that draws together work on intertextuality and memory. Alan Corkhill looks at the ways in which the authority of the word is critiqued in Faust and Marlowe's Dr. Faustus. Robert E. Norton revisits the question of Herder as Faust and the early twentieth-century context in which the claim resonated. J. M. van der Laan explores the symbolic possibilities of the mysterious Eternal-Feminine. Frederick Burwick examines Coleridge's critique of Goethe's Faust and his own plans for a Faustian tale on Michael Scott. Andrew Bush demonstrates how Estanislao del Campo's poem "Fausto" retells Gounod's opera in the sociolect of Argentine gauchos. David G. John examines complete productions of Goethe's Faust by Peter Stein and the Goetheanum. Jörg Esleben surveys contemporary Canadian interplay with Goethe's Faust. Susanne Ledanff discusses the significance of Goethe's Faust for Werner Fritsch's avant-garde "Theater of the Now." Bruce J. MacLennan examines Faust from the perspective of a researcher in several Faustian technologies: artificial intelligence, autonomous robotics, artificial life, and artificial morphogenesis.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Lorna Fitzsimmons is associate professor and Coordinator of Humanities at California State University, Dominguez Hills in Los Angeles.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Über den AutorLorna Fitzsimmons is associate professor and coordinator, Humanities Program and the Arts and the Humanities MA Program, California State University, Dominguez Hills, Los Angeles.Inhaltsverzeichnis. N° de réf. du vendeur 904506965
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Buch. Etat : Neu. Goethe's Faust and Cultural Memory | Comparatist Interfaces | Lorna Fitzsimmons | Buch | Englisch | 2012 | Lehigh University Press | EAN 9781611461220 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. N° de réf. du vendeur 134308081
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Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book is an interdisciplinary collection of essays examining Goethe's Faust and its derivatives in European, North American, and South American cultural contexts. It takes both a canonic and archival approach to Faust in studies of adaptations, performances, appropriations, sources, and the translation of the drama contextualized within cultural environments ranging from Gnosticism to artificial intelligence. Lorna Fitzsimmons' introduction sets this scholarship within a critical framework that draws together work on intertextuality and memory. Alan Corkhill looks at the ways in which the authority of the word is critiqued in Faust and Marlowe's Dr. Faustus. Robert E. Norton revisits the question of Herder as Faust and the early twentieth-century context in which the claim resonated. J. M. van der Laan explores the symbolic possibilities of the mysterious Eternal-Feminine. Frederick Burwick examines Coleridge's critique of Goethe's Faust and his own plans for a Faustian tale on Michael Scott. Andrew Bush demonstrates how Estanislao del Campo's poem 'Fausto' retells Gounod's opera in the sociolect of Argentine gauchos. David G. John examines complete productions of Goethe's Faust by Peter Stein and the Goetheanum. Jörg Esleben surveys contemporary Canadian interplay with Goethe's Faust. Susanne Ledanff discusses the significance of Goethe's Faust for Werner Fritsch's avant-garde 'Theater of the Now.' Bruce J. MacLennan examines Faust from the perspective of a researcher in several Faustian technologies: artificial intelligence, autonomous robotics, artificial life, and artificial morphogenesis. N° de réf. du vendeur 9781611461220
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