H.P. Lovecraft, one of the twentieth century's most important writers in the genre of horror fiction, famously referred to Edgar Allan Poe as both his "model" and his "God of Fiction." While scholars and readers of Poe's and Lovecraft's work have long recognized the connection between these authors, this collection of essays is the first in-depth study to explore the complex literary relationship between Lovecraft and Poe from a variety of critical perspectives. Of the thirteen essays included in this book, some consider how Poe's work influenced Lovecraft in important ways. Other essays explore how Lovecraft's fictional, critical, and poetic reception of Poe irrevocably changed how Poe's work has been understood by subsequent generations of readers and interpreters. Addressing a variety of topics ranging from the psychology of influence to racial and sexual politics, the essays in this book also consider how Lovecraft's interpretations of Poe have informed later adaptations of both writers' works in films by Roger Corman and fiction by Stephen King, Thomas Ligotti, and Caitlin R. Kiernan. This collection is an indispensable resource not only for those who are interested in Poe's and Lovecraft's work specifically, but also for readers who wish to learn more about the modern history and evolution of Gothic, horror, and weird fiction.
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Sean Moreland teaches at the University of Ottawa.
Alissa Burger is Associate Professor of English at Culver-Stockton College, USA. She teaches courses in research, writing, and literature, specializing in gender, horror, and the Gothic. She is the author of IT, Chapters One & Two (2023), The Quest for the Dark Tower: Genre and Interconnection in the Stephen King Series (2021), Teaching Stephen King: Horror, The Supernatural, and New Approaches to Literature (2016) and The Wizard of Oz as American Myth: A Critical Study of Six Versions of the Story, 1900-2007 (2012).
Jeffrey Andrew Weinstock is professor of English at Central Michigan University and associate editor in charge of horror for the Los Angeles Review of Books.
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