Music in the Works of F. Scott Fitzgerald illustrates and analyzes the ways in which Fitzgerald integrated music with literature through his entire writing career, from his early Triangle Club lyrics to his later Hollywood screenplays, but most significantly in the novels and short stories for which he is most famous.
Growing up during the first resonating outbursts of popular music-the ragtime era and the jazz age-Fitzgerald filled his fiction with popular songs to express the topics, mores, and energy of his times. As the years passed from World War I to the Roaring Twenties and the Great Depression, these songs brought to his work the varying effects that they had on a mass society: stimulation, romance, nostalgia, and consolation. The songs also contributed to the modernist traits of his style by creating a mixed-media texture and allusive openings to shows or movies in which the songs appeared.
Although popular culture seemed appealing, Fitzgerald constantly worried about how it affected the stature of his works. He carefully distinguished between his popular short stories and his classic novels. But just as songs incorporated popular culture into his works, so other musical qualities, which came to him from classical music by means of poetry, furnished imagery, and structure that enhanced the classic value of his novels.
Even from his later work on screenplays, which he considered a low type of writing, Fitzgerald learned to transform the art and industry of film into fitting material for what could have been his last classic novel, and music provided both popular and classical elements to advance this effort.
Fitzgerald experienced and appreciated the lively new music of his time. In his writing he preserved, organized, and interpreted it for future generations.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Anthony J. Berret, SJ, teaches English and American literature at St. Joseph's University in Philadelphia.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
PAP. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du vendeur L0-9781611478327
Quantité disponible : Plus de 20 disponibles
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. Music in the Works of F. Scott Fitzgerald illustrates and analyzes the ways in which Fitzgerald integrated music with literature through his entire writing career, from his early Triangle Club lyrics to his later Hollywood screenplays, but most significantly in the novels and short stories for which he is most famous.Growing up during the first resonating outbursts of popular music-the ragtime era and the jazz age-Fitzgerald filled his fiction with popular songs to express the topics, mores, and energy of his times. As the years passed from World War I to the Roaring Twenties and the Great Depression, these songs brought to his work the varying effects that they had on a mass society: stimulation, romance, nostalgia, and consolation. The songs also contributed to the modernist traits of his style by creating a mixed-media texture and allusive openings to shows or movies in which the songs appeared. Although popular culture seemed appealing, Fitzgerald constantly worried about how it affected the stature of his works. He carefully distinguished between his popular short stories and his classic novels. But just as songs incorporated popular culture into his works, so other musical qualities, which came to him from classical music by means of poetry, furnished imagery, and structure that enhanced the classic value of his novels. Even from his later work on screenplays, which he considered a low type of writing, Fitzgerald learned to transform the art and industry of film into fitting material for what could have been his last classic novel, and music provided both popular and classical elements to advance this effort.Fitzgerald experienced and appreciated the lively new music of his time. In his writing he preserved, organized, and interpreted it for future generations. N° de réf. du vendeur LU-9781611478327
Quantité disponible : Plus de 20 disponibles
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du vendeur L0-9781611478327
Quantité disponible : Plus de 20 disponibles
Vendeur : California Books, Miami, FL, Etats-Unis
Etat : New. N° de réf. du vendeur I-9781611478327
Quantité disponible : Plus de 20 disponibles
Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. In. N° de réf. du vendeur ria9781611478327_new
Quantité disponible : Plus de 20 disponibles
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. reprint edition. 283 pages. 9.00x6.00x1.00 inches. In Stock. N° de réf. du vendeur x-1611478324
Quantité disponible : 2 disponible(s)
Vendeur : moluna, Greven, Allemagne
Kartoniert / Broschiert. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Music in the Works of F. Scott Fitzgerald illustrates and analyzes the ways in which Fitzgerald integrated music with literature through his entire writing career, from his early Triangle Club lyrics to his later Hollywood screenplays, but most significantl. N° de réf. du vendeur 448158297
Quantité disponible : Plus de 20 disponibles
Vendeur : Rarewaves.com UK, London, Royaume-Uni
Paperback. Etat : New. Music in the Works of F. Scott Fitzgerald illustrates and analyzes the ways in which Fitzgerald integrated music with literature through his entire writing career, from his early Triangle Club lyrics to his later Hollywood screenplays, but most significantly in the novels and short stories for which he is most famous.Growing up during the first resonating outbursts of popular music-the ragtime era and the jazz age-Fitzgerald filled his fiction with popular songs to express the topics, mores, and energy of his times. As the years passed from World War I to the Roaring Twenties and the Great Depression, these songs brought to his work the varying effects that they had on a mass society: stimulation, romance, nostalgia, and consolation. The songs also contributed to the modernist traits of his style by creating a mixed-media texture and allusive openings to shows or movies in which the songs appeared. Although popular culture seemed appealing, Fitzgerald constantly worried about how it affected the stature of his works. He carefully distinguished between his popular short stories and his classic novels. But just as songs incorporated popular culture into his works, so other musical qualities, which came to him from classical music by means of poetry, furnished imagery, and structure that enhanced the classic value of his novels. Even from his later work on screenplays, which he considered a low type of writing, Fitzgerald learned to transform the art and industry of film into fitting material for what could have been his last classic novel, and music provided both popular and classical elements to advance this effort.Fitzgerald experienced and appreciated the lively new music of his time. In his writing he preserved, organized, and interpreted it for future generations. N° de réf. du vendeur LU-9781611478327
Quantité disponible : Plus de 20 disponibles