This study revaluates the work of the scientist and radical, poet and dramatist and English exile in Germany Thomas Lovell Beddoes (1803-1849). While his writing has elicited high praise from poets ranging from Robert Browning through Ezra Pound to John Ashbery, scholars have frequently neglected it on grounds of its purportedly morbid and opaque eccentricity. Countering this scholarly perception, this book deftly relocates Beddoes's poetry, drama and prose at the centre of Anglo-German debates on aesthetics and life science, politics and theatre in an early nineteenth-century European context. Aided by his letters from Germany, the book re-creates the intercultural discursive universe in which Beddoes easily moves from Shakespeare's plays or the aesthetic experiments of Shelley and his circle to Goethe and to topics debated among Heinrich Heine and the Jungdeutschen, from the most advanced contemporary scientific research to the post-Napoleonic politics of the German radical students' organisations, and from Byron, Baillie and London's illegitimate theatre to Schiller's and Tieck's highly charged reflections on male-male friendship. The study combines historicist strategies with theories of performance, performativity, and visuality as it focuses, in particular, on Beddoes's major and defining work, Death's Jest-Book, first completed in 1829 and published posthumously after much revision in 1850. This study shows how Death's Jest Book, as both drama and poetry, devises complex perspectives on scientifically inspired notions of 'life' and history, how it forges a radical vision for post-Napoleonic Europe and how it links this vision to a daring conception of desiring, gendered selves. The book pays close attention to the dialogue Beddoes's writing maintains with Early Modern literature, and it highlights the proto-modernist features that link his work to that of Büchner, Grabbe and a European theatre avant-garde. This innovative study of Beddoes's work, cutting across current investigations into politics, gender, and science in intercultural Romantic Studies should be of interest to scholars and students of British Romantic and Victorian studies as well as of German Vormärz studies, and to students and scholars of drama and theatre as well as Queer studies.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Ute Berns is professor of English literature at the University of Hamburg.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
HRD. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du vendeur L1-9781611493672
Quantité disponible : Plus de 20 disponibles
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
HRD. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du vendeur L1-9781611493672
Quantité disponible : Plus de 20 disponibles
Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. In. N° de réf. du vendeur ria9781611493672_new
Quantité disponible : Plus de 20 disponibles
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. This study revaluates the work of the scientist and radical, poet and dramatist and English exile in Germany Thomas Lovell Beddoes (1803-1849). While his writing has elicited high praise from poets ranging from Robert Browning through Ezra Pound to John Ashbery, scholars have frequently neglected it on grounds of its purportedly morbid and opaque eccentricity. Countering this scholarly perception, this book deftly relocates Beddoess poetry, drama and prose at the centre of Anglo-German debates on aesthetics and life science, politics and theatre in an early nineteenth-century European context. Aided by his letters from Germany, the book re-creates the intercultural discursive universe in which Beddoes easily moves from Shakespeares plays or the aesthetic experiments of Shelley and his circle to Goethe and to topics debated among Heinrich Heine and the Jungdeutschen, from the most advanced contemporary scientific research to the post-Napoleonic politics of the German radical students organisations, and from Byron, Baillie and Londons illegitimate theatre to Schillers and Tiecks highly charged reflections on male-male friendship. The study combines historicist strategies with theories of performance, performativity, and visuality as it focuses, in particular, on Beddoess major and defining work, Deaths Jest-Book, first completed in 1829 and published posthumously after much revision in 1850. This study shows how Deaths Jest Book, as both drama and poetry, devises complex perspectives on scientifically inspired notions of life and history, how it forges a radical vision for post-Napoleonic Europe and how it links this vision to a daring conception of desiring, gendered selves. The book pays close attention to the dialogue Beddoess writing maintains with Early Modern literature, and it highlights the proto-modernist features that link his work to that of Buechner, Grabbe and a European theatre avant-garde. This innovative study of Beddoess work, cutting across current investigations into politics, gender, and science in intercultural Romantic Studies should be of interest to scholars and students of British Romantic and Victorian studies as well as of German Vormaerz studies, and to students and scholars of drama and theatre as well as Queer studies. This study offers an incisive new reading of the romantic playwright Thomas Lovell (1803-1849) Beddoes's work as shaped by the contemporary discourses of radical politics, life science, and gender. Reappraising his opus magnum Death's Jest Book in a context powerfully defined . This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781611493672
Quantité disponible : 1 disponible(s)
Vendeur : CitiRetail, Stevenage, Royaume-Uni
Hardcover. Etat : new. Hardcover. This study revaluates the work of the scientist and radical, poet and dramatist and English exile in Germany Thomas Lovell Beddoes (1803-1849). While his writing has elicited high praise from poets ranging from Robert Browning through Ezra Pound to John Ashbery, scholars have frequently neglected it on grounds of its purportedly morbid and opaque eccentricity. Countering this scholarly perception, this book deftly relocates Beddoess poetry, drama and prose at the centre of Anglo-German debates on aesthetics and life science, politics and theatre in an early nineteenth-century European context. Aided by his letters from Germany, the book re-creates the intercultural discursive universe in which Beddoes easily moves from Shakespeares plays or the aesthetic experiments of Shelley and his circle to Goethe and to topics debated among Heinrich Heine and the Jungdeutschen, from the most advanced contemporary scientific research to the post-Napoleonic politics of the German radical students organisations, and from Byron, Baillie and Londons illegitimate theatre to Schillers and Tiecks highly charged reflections on male-male friendship. The study combines historicist strategies with theories of performance, performativity, and visuality as it focuses, in particular, on Beddoess major and defining work, Deaths Jest-Book, first completed in 1829 and published posthumously after much revision in 1850. This study shows how Deaths Jest Book, as both drama and poetry, devises complex perspectives on scientifically inspired notions of life and history, how it forges a radical vision for post-Napoleonic Europe and how it links this vision to a daring conception of desiring, gendered selves. The book pays close attention to the dialogue Beddoess writing maintains with Early Modern literature, and it highlights the proto-modernist features that link his work to that of Buechner, Grabbe and a European theatre avant-garde. This innovative study of Beddoess work, cutting across current investigations into politics, gender, and science in intercultural Romantic Studies should be of interest to scholars and students of British Romantic and Victorian studies as well as of German Vormaerz studies, and to students and scholars of drama and theatre as well as Queer studies. This study offers an incisive new reading of the romantic playwright Thomas Lovell (1803-1849) Beddoes's work as shaped by the contemporary discourses of radical politics, life science, and gender. Reappraising his opus magnum Death's Jest Book in a context powerfully defined . This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781611493672
Quantité disponible : 1 disponible(s)
Vendeur : moluna, Greven, Allemagne
Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Über den AutorBy Ute BernsKlappentextThis study offers an incisive new reading of the romantic playwright Thomas Lovell (1803-1849) Beddoes s work as shaped by the contemporary discourses of radical polit. N° de réf. du vendeur 448158633
Quantité disponible : Plus de 20 disponibles
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 353 pages. 9.25x6.25x1.00 inches. In Stock. N° de réf. du vendeur x-1611493676
Quantité disponible : 2 disponible(s)
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This study offers an incisive new reading of the romantic playwright Thomas Lovell (1803-1849) Beddoes's work as shaped by the contemporary discourses of radical politics, life science, and gender. Reappraising his opus magnum Death's Jest Book in a context powerfully defined by both English and German romantic culture, this study unveils Beddoes's complex vision of history before the backdrop of the writer's fascination both with Early Modern culture and with proto-modernist forms of aesthetic experimentation. N° de réf. du vendeur 9781611493672
Quantité disponible : 1 disponible(s)