Articles liés à Truth in Advertising

Truth in Advertising - Couverture rigide

Kenney, John

 
9781611736809: Truth in Advertising

Synopsis

Finbar Dolan is lost and lonely. Despite escaping his blue-collar Boston upbringing to carve out a mildly successful career at a Madison Avenue ad agency, he's a bit of a mess and closing in on forty. He's recently called off a wedding. Now, a few days before Christmas, he's forced to cancel a long-postponed vacation in order to write, produce, and edit a Super Bowl commercial for his diaper account in record time.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

Revue de presse

A Book Riot Funniest Novel of the Year

“The protagonist, Finbar Dolan, is Don Draper stripped of all his glamour, success and pomade. What Fin, a midlevel copywriter, does have on Don is a sense of humor. . . . Framed around a surprisingly sweet romance, as well as Fin’s eventual confrontation with his painful family history, this debut offers a pleasing lightness-to-heart ratio.” (New York Times)

“Peppered with colorful impressions of New York City life, Truth in Advertising is a quick-witted, wry sendup of the advertising industry and corporate culture. . . . Delivers a clear-eyed, sympathetic story about complex family ties and the possibility of healing.” (Washington Post)

“[Kenney’s] insights are dead-on. . . . [His] plot is perfectly balanced between the insanity of both work and family, and the ending is satisfying without being saccharine. . . . Engaging and entertaining . . . The joy is in the journey, of spending time with a character that is, at times, annoying and thoughtful,arrogant and scared, childish and mature — in other words, someone like the rest of us.” (Dallas Morning News)

“You'd expect that a man who writes humor pieces for the New Yorker would be funny – and he is. John Kenney, who also worked as an advertising copywriter, knows that world and skewers it mercilessly and hilariously in his debut novel. . . . It would also be safe to say that amazing things will most likely be happening in John Kenney's literary career right now. Truthfully.” (Cleveland Plain Dealer)

“Truth in Advertising has a cinematic sense of motion. . . . [Kenney is] a naturally comic author who has created a likeable narrator in Fin Dolan. . . . Humor springs from a deep well of family-induced anguish, and soon enough comedy and tragedy are braided throughout the narrative.” (Chicago Tribune)

“This debut novel reads at times like a laugh-out-loud standup routine. What sustains it, though, is much more substantial: an engaging, believable plot, a fascinating if jaundiced view inside the contemporary world of New York advertising, and most of all, a lead character you're glad you get to know. . . . It's a measure of Kenney's writing talent that the regular gusts of delicious, smart-alecky ad agency banter among Dolan and his witty comrades and the painful-to-read scenes depicting the toxic relations among siblings feel equally real in this novel. . . . [A] smart, cinematic story.” (Associated Press)

"We're sold on Kenney's trenchant, quick-witted debut." (Entertainment Weekly)

"Kenney, who’s worked as a copywriter for 17 years, mines this rich territory for satire. . . . Fin’s struggle to understand his dad brings a layer of emotional complexity to the tale. . . . Kenney’s novel wrestles with deep questions: What makes a good man? What makes a good life? What should one’s contribution to the world be?" (BusinessWeek)

“In this Nick Hornby-esque fiction debut, midlife crisis and family tragedy force a 39-year-old ad man to reevaluate his priorities.” (O Magazine (“Ten Titles to Pick Up Now”))

“A lively debut that has ‘movie deal’ written all over it.” (People Magazine)

Présentation de l'éditeur

Finbar Dolan is lost and lonely. Except he doesn't know it. Despite escaping his blue-collar Boston upbringing to carve out a mildly successful career at a Madison Avenue ad agency, he's a bit of a mess and closing in on forty. He's recently called off his wedding. Now, a few days before Christmas, he's forced to cancel a long-postponed vacation in order to write, produce, and edit a Superbowl commercial for his diaper account in record time.
Fortunately, it gets worse. He learns that his long-estranged and once-abusive father has fallen ill. And that neither his brothers nor his sister intend to visit. It's a wake-up call for Fin to re-evaluate the choices he's made, admit that he's falling for his co-worker Phoebe, question the importance of diapers in his life, and finally tell the truth about his life and his past.
In the spirit of Then We Came to the End and This Is Where I Leave You, novelist John Kenney, a regular New Yorker contributor, mines his own advertising background to creating this moving debut, nothing short of "a masterful blend of wit and seriousness, stunning in its honesty" (Booklist, starred review).

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.