In this second volume of S. T. Joshi's landmark history of supernatural fiction, the initial focus is on an incredible efflorescence of weird writing at the turn of the twentieth century-a period that many scholars have referred to as the Golden Age of weird fiction. Such figures as Arthur Machen, Lord Dunsany, Algernon Blackwood, M. R. James, and H. P. Lovecraft elevated weird fiction to a level of high artistry never seen before, and their work continues to inspire writers up to the present day. Other authors such as Walter de la Mare, L. P. Hartley, and William Hope Hodgson also contributed important novels and tales. Lovecraft's influence extended to such of his contemporaries and successors as Clark Ashton Smith, Robert E. Howard, August Derleth, Robert Bloch, and Fritz Leiber. In the years following Lovecraft's death, a new crop of writers-led by Ray Bradbury, Richard Matheson, Shirley Jackson, and Charles Beaumont-brought horror down to earth and into the realm of ordinary life. Their work laid the groundwork for the extraordinary emergence of weird fiction as a best-selling phenomenon in the work of Ira Levin, Stephen King, Peter Straub, Clive Barker, Anne Rice, and many others. At the same time, more literate figures such as Ramsey Campbell, T. E. D. Klein, and Thomas Ligotti continued to expand the boundaries of the weird in work of the highest literary polish. Today, such writers as Caitlín R. Kiernan, Dennis Etchison, and many others continue to probe new directions in weird fiction.
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A strictly personal no holds barred overview of the horror field by one of its most respected--and fiercest--critics. This book was many years in the making. I ve been reading horror fiction pretty constantly since I was at least 10 years old, and have been a scholar in the field since I was about 17 (focusing initially on H. P. Lovecraft). UNUTTERABLE HORROR was the product of five years of solid work, and the book comes to a total of 312,000 words. It covers the entire range of supernatural and non-supernatural horror fiction from the Gilgamesh (1700 B.C.) to such contemporary writers as Caitlín R. Kiernan and Laird Barron. Along the way I discuss the Gothic novel, Edgar Allan Poe, the Victorian ghost story, Ambrose Bierce, the five titans of the early 20th century (Arthur Machen, Lord Dunsany, Algernon Blackwood, M. R. James, H. P. Lovecraft), Walter de la Mare, American pulp writers from Robert Bloch to Ray Bradbury, the horror boom of the 1970s and 1980s (William Peter Blatty, Stephen King, Peter Straub, Clive Barker, Anne Rice), and many others. This book is intended not only as a history of the field but a guide to the best writing in the field over the past two or three centuries.
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