For more than 200 years, Thomas Traherne's Centuries of Meditations was undiscovered and unpublished. The manuscript passed through many hands before finally being compiled into a book by bookseller and scholar BERTRAM DOBELL (1842-1914) in 1908. Centuries is a collection of poems written to express the rapture of life lived in accordance with God. Yet Dobell is careful to state that even though Traherne was a clergyman, there is plenty of beauty to be found in his poetry that does not require specific belief in Christianity or in God. Readers of many ages and persuasions will be touched by Traherne's passages on love and belonging.
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It is now four years since it fell to my lot to make known to the world the poems of Thomas Traheme. For considerably more than two centuries they had remained in manuscript, unknown and uncared for. They had fallen into my hands by what I must needs think was a very remarkable series of accidents ;and I account it as one of the most fortunate incidents of my life that I immediately discerned their value and importance. When I published them I did not fear to express my belief that they were the work of one of the finest and noblest spirits that ever existed, and it was a great gratification to me that my own estimate of Traherne was accepted as a true one by all competent judges. I do not think that any one whose opinions are worth consideration would now deny that this successor of George Herbert, and contemporary of Milton, Crashaw and Vaughan, is worthy to be mentioned in the same breath with them.
(Typographical errors above are due to OCR software and don't occur in the book.)
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This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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