Between 1888 and 1927 Eugène Atget meticulously photographed Paris, capturing in thousands of photographs the city's parks, streets, buildings, and diverse inhabitants. His images preserved the vanishing architecture of the ancien régime as Paris grew into a modern capital, and established Atget as one of the twentieth century's greatest photographers.
Christopher Rauschenberg spent a year in the late 1990s rephotographing many of Atget's locations. By meticulously replicating the emotional and aesthetic qualities of Atget's images, Rauschenberg vividly captures the changes the city has undergone and its enduring beauty. His work is both an homage to his predecessor and an artistic study of Paris in its own right. Each site is indicated on a map of the city, inviting readers to follow in the steps of Atget and Rauschenberg themselves. If a trip to the City of Lights is not imminent, this luscious portrait of Paris then and now is the next best thing.
Essays by Clark Worswick and Alison Nordström give insight into Atget's life and Rauschenberg's work. The book concludes with an epilogue by Rosamond Bernier and a portfolio of other images of Paris by Rauschenberg.
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Oregon-based photographer Christopher Rauschenberg, the son of artist Robert Rauschenberg, is a founding member of the Blue Sky photographers' collective and gallery.
Massachusetts Institute of Technology, one of the nation's most beautiful and technologically advanced campuses, is the focus of this colorful cultural and architectural history. Sited along the Charles River in Cambridge, MIT has a history that spans more than a century, from its original location in Copley Square to its current home. In this two-part volume Douglass Shand-Tucci recalls the intellectual trajectory of the institution and the innovators who developed the campus, starting in 1861, including Alexander Graham Bell, William Welles Bosworth, Oliver Wendell Holmes Sr., and William Barton Rogers. Tracing the legacy, Shand-Tucci provides a captivating tale of the campus that led not only to technological inspiration but also to the best collection of architectural tourism on a university campus, with masterpieces by architects including Jonathan and William Preston, Eero Saarinen, Kevin Roche, I. M. Pei, Steven Holl, and Frank Gehry. Sculptures by signi cant artists, such as Alexander Calder, Henry Moore, Louise Nevelson, and Michael Heizer, adorn the campus and are described in five walking tours.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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