Selected from five books highlighting more than twenty years of work, The Long Answer marks the best of David Keplinger's engagement with the lyric form from his first collection, chosen by Mary Oliver for the T.S. Eliot Prize, to his most recent, winner of the Rilke Prize in 2019. The collection also features over thirty pages of new material. Influenced by the French prose poet Max Jacob as well as by earlier voices--from Rilke, the French symbolists, William Blake, Dante, the medieval contemplatives, and the Anglo-Saxon riddles, Keplinger's work may, on the one hand, serve as one poet's long answer to a question of originality: what of the work belongs to tradition and what, if any part, stands alone? Metaphysically, these poems scour at the foundation of awareness, to ask a more primeval question out of childhood and myth: How am I singularly "one," and also the result of those who came before me? Can art or contemplation break through the illusion of separateness? Keplinger's project from the beginning has been concerned with remembering ourselves as part of, not apart from, the natural order. His career-to-date study of a problem, as he writes in his title poem, "so old, no one remembers/ what was asked for/in the first place, /and which leaves us, /...with only each other," The Long Answer is poetry less concerned with explanations or discoveries than it is that we remember what we are.
"Imagine The Inferno reconfigured as a cross between one of Joseph Cornell's boxes and a Rube Goldberg drawing: an infernal machine designed to produce the uncomfortable pleasures of wit's disjunctions, gallows humor, wry nostalgias...What's consistent is the sustained invention of a tinkerer who takes his materials (so many of them fragile, easily discarded or mislaid) to heart even as he finds his humor, his consolation in the spirited play of their arrangements."Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
DAVID KEPLINGER is the author of five collections of poetry, most recently Another City (Milkweed Editions, 2018), which was awarded 2019 UNT Rilke Prize. Among his other collections are The Most Natural Thing (New Issues, 2013) and The Prayers of Others (New Issues, 2006), which won the Colorado Book Award. His first collection, The Rose Inside, was chosen by the poet Mary Oliver for the 1999 T.S. Eliot Prize. Keplinger has been awarded the Cavafy Prize from Poetry International, the Erskine Prize from Smartish Pace, and two fellowships from the National Endowment for the Arts, as well as funding from the DC Council on the Arts and Humanities, the Pennsylvania Council on the Arts, the Danish Council on the Arts, and a two-year Soros Foundation fellowship in the Czech Republic. In 2011 he produced By and By, an album of eleven songs based on the poetry of his great-great grandfather, a Civil War veteran. He performed and presented on the project at the National Portrait Gallery's Donald W. Reynolds Center in 2013. His translations of Danish poet Carsten René Nielsen have appeared in three volumes, World Cut Out with Crooked Scissors (2007), House Inspections (2011), a Lannan Literary Series Selection, and Forty-One Objects (forthcoming, 2019). His collaboration with German poet, Jan Wagner, entitled The Art of Topiary was published in 2017 by Milkweed Editions. He teaches in the MFA Program at American University in Washington, D.C
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. The Long Answer gleans from David Keplinger's five previous poetry collections, covering two decades of his engagement with the lyric narrative. Through echoes of Dickinson, Rimbaud, William Blake, and the French prose poet Max Jacob, as well as a host of other European and American voices, this volume maps the ongoing 'long answer' to the poet's individual inquiries about family, influence, and originality while at the same time tapping the source and substance of a more far-flung, philosophical problem. How is one life both distinct from and the sum of lives that came before? How does one disentangle oneself from the illusion of separateness? Culling together the best work from those previous years, and with nearly forty new pages of material, The Long Answer seeks a question, in Keplinger's title poem, "so old, no one remembers/ what was asked for/in the first place,/and which leaves us . . . /with only each other." His work, here, and historically, seeks less to alter thinking than to undrape it, where poetry can be the means of remembering what we are. N° de réf. du vendeur LU-9781622883080
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Paperback. Etat : New. The Long Answer gleans from David Keplinger's five previous poetry collections, covering two decades of his engagement with the lyric narrative. Through echoes of Dickinson, Rimbaud, William Blake, and the French prose poet Max Jacob, as well as a host of other European and American voices, this volume maps the ongoing 'long answer' to the poet's individual inquiries about family, influence, and originality while at the same time tapping the source and substance of a more far-flung, philosophical problem. How is one life both distinct from and the sum of lives that came before? How does one disentangle oneself from the illusion of separateness? Culling together the best work from those previous years, and with nearly forty new pages of material, The Long Answer seeks a question, in Keplinger's title poem, "so old, no one remembers/ what was asked for/in the first place,/and which leaves us . . . /with only each other." His work, here, and historically, seeks less to alter thinking than to undrape it, where poetry can be the means of remembering what we are. N° de réf. du vendeur LU-9781622883080
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