To Defend the Revolution Is to Defend Culture: The Cultural Policy of the Cuban Revolution - Couverture souple

Gordon-Nesbitt, Rebecca

 
9781629631042: To Defend the Revolution Is to Defend Culture: The Cultural Policy of the Cuban Revolution

Synopsis

Based on a four-year research project, which included five months in Havana, this book documents the approaches to culture that evolved out of the 1959 Cuban Revolution. Deploying micro and macro perspectives, it introduces all the main protagonists to the debate and follows the polemical twists and turns that ensued in the volatile atmosphere of the 1960s and '70s. The picture that emerges is of a struggle for cultural dominance between Soviet-derived approaches and a uniquely Cuban response to culture under socialism, based on the principles of Marxist humanism.

Accordingly, this book aims to isolate the main tenets of Cuban cultural policy as they crystallized through an extensive process of trial and error. Primacy is given to emancipatory understandings of culture, and ample space is dedicated to discussions that remain hugely pertinent to those working in the cultural field, such as the relationship between art and ideology, engagement and autonomy, form and content. In the process, this book provides us with an entirely different way of thinking about culture and the policies underlying it.

To Defend the Revolution Is to Defend Culture takes its title from a slogan - devised by artists and writers at a meeting in October 1960, and adopted by the First National Congress of Writers and Artists the following August - which sought to highlight the intrinsic importance of culture to the Revolution. Departing from popular top-down conceptions of Cuban policy-formation, this book establishes the close involvement of the Cuban people in cultural processes and the contribution of Cuba's artists and writers to the policy and praxis of the Revolution.

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À propos de l?auteur

Since the mid-1990s, Rebecca Gordon-Nesbitt has been engaging with the internal dynamics of the cultural field. In 1998, she cofounded salon3, a multidisciplinary arts organisation in London. Two years later, she took up a post as a curator at the Nordic Institute for Contemporary Art in Helsinki, with a responsibility for stimulating art exhibitions, publications and events throughout the Nordic region and, latterly, the UK and Ireland. Since then, she has dedicated herself to exploring the politico-economic conditions underwriting artistic practice, which eventually took her to Cuba in search of new ways of thinking about culture. Rebecca has enjoyed research residencies at the University of Edinburgh, Stroom, The Centre for Art and Architecture in The Hague, the Centre for Contemporary Art Derry-Londonderry, and Manchester Metropolitan University. Her writing has been extensively published in anthologies, monographs, catalogues and journals, a selection of which is available at shiftyparadigms.org

Since 1994, Jorge Fornet has been director of the Centre for Literary Research at Casa de las Américas, where he also codirects the eponymous journal with Roberto Fernández Retamar. He has written widely on Latin American literature, focusing on the projects and worldview of writers born towards the end of the 1950s. In 2005, Jorge obtained a research scholarship from the Latin American Studies Center at the University of Maryland, and spent a semester with graduate students there. This gave rise to an essay, titled "Los nuevos paradigmas. Prólogo narrativo al siglo XXI" (The New Paradigms: Narrative prologue to the 21st century), which won the prestigious Alejo Carpentier prize. His critical consideration of the grey years, El 71. Anatomía de una crisis (1971: Anatomy of a crisis), published in 2013, is considered in To Defend the Revolution.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.