These poems follow the aftermath of and recovery from trauma.
Amanda Larson’s Gut begins with an epigraph from Frank O’Hara: “Pain always produces logic, which is very bad for you.” From there, Larson launches an unflinching interrogation of how a young woman maintains agency in the wake of trauma, violence, and desire. Larson spins a conversation between works of feminist theory—including the those of Cathy Caruth, Susan Bordo, Patricia Hill Collins, Anne Carson, Hélène Cixous, and bell hooks—and her own experiences. The book moves through Larson’s recovery while questioning the limits of the very term and of language as a whole. She employs a variety of different forms, including prose, Q&A poems, and a timeline, reflecting both the speaker’s obsession with control and her growing willingness to let it go. With a measured voice, Larson finds a path for how to move beyond logic during processes of trauma and recovery.
Gut won the Omnidawn 1st/2nd Book Contest, selected by Jericho Brown.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Amanda Larson is a writer from New Jersey, and she is currently an MFA Candidate in Poetry at New York University. Her writing has appeared in the Michigan Quarterly Review, Washington Square Review, and other publications.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : Very Good. These poems follow the aftermath of and recovery from trauma. Amanda Larson?s Gut begins with an epigraph from Frank O?Hara: ?Pain always produces logic, which is very bad for you.? From there, Larson launches an unflinching interrogation of how a young woman maintains agency in the wake of trauma, violence, and desire. Larson spins a conversation between works of feminist theory?including the those of Cathy Caruth, Susan Bordo, Patricia Hill Collins, Anne Carson, Hélène Cixous, and bell hooks?and her own experiences. The book moves through Larson?s recovery while questioning the limits of the very term and of language as a whole. She employs a variety of different forms, including prose, Q&A poems, and a timeline, reflecting both the speaker?s obsession with control and her growing willingness to let it go. With a measured voice, Larson finds a path for how to move beyond logic during processes of trauma and recovery.Gut won the Omnidawn 1st/2nd Book Contest, selected by Jericho Brown. . N° de réf. du vendeur 00073938282
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Paperback. Etat : Very Good. These poems follow the aftermath of and recovery from trauma. Amanda Larson?s Gut begins with an epigraph from Frank O?Hara: ?Pain always produces logic, which is very bad for you.? From there, Larson launches an unflinching interrogation of how a young woman maintains agency in the wake of trauma, violence, and desire. Larson spins a conversation between works of feminist theory?including the those of Cathy Caruth, Susan Bordo, Patricia Hill Collins, Anne Carson, Hélène Cixous, and bell hooks?and her own experiences. The book moves through Larson?s recovery while questioning the limits of the very term and of language as a whole. She employs a variety of different forms, including prose, Q&A poems, and a timeline, reflecting both the speaker?s obsession with control and her growing willingness to let it go. With a measured voice, Larson finds a path for how to move beyond logic during processes of trauma and recovery.Gut won the Omnidawn 1st/2nd Book Contest, selected by Jericho Brown. . N° de réf. du vendeur CIN1632430975VG
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Paperback. Etat : New. These poems follow the aftermath of and recovery from trauma. Amanda Larson's Gut begins with an epigraph from Frank O'Hara: "Pain always produces logic, which is very bad for you." From there, Larson launches an unflinching interrogation of how a young woman maintains agency in the wake of trauma, violence, and desire. Larson spins a conversation between works of feminist theory-including the those of Cathy Caruth, Susan Bordo, Patricia Hill Collins, Anne Carson, Hélène Cixous, and bell hooks-and her own experiences. The book moves through Larson's recovery while questioning the limits of the very term and of language as a whole. She employs a variety of different forms, including prose, QandA poems, and a timeline, reflecting both the speaker's obsession with control and her growing willingness to let it go. With a measured voice, Larson finds a path for how to move beyond logic during processes of trauma and recovery.Gut won the Omnidawn 1st/2nd Book Contest, selected by Jericho Brown. N° de réf. du vendeur LU-9781632430977
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Paperback. Etat : New. These poems follow the aftermath of and recovery from trauma. Amanda Larson's Gut begins with an epigraph from Frank O'Hara: "Pain always produces logic, which is very bad for you." From there, Larson launches an unflinching interrogation of how a young woman maintains agency in the wake of trauma, violence, and desire. Larson spins a conversation between works of feminist theory-including the those of Cathy Caruth, Susan Bordo, Patricia Hill Collins, Anne Carson, Hélène Cixous, and bell hooks-and her own experiences. The book moves through Larson's recovery while questioning the limits of the very term and of language as a whole. She employs a variety of different forms, including prose, QandA poems, and a timeline, reflecting both the speaker's obsession with control and her growing willingness to let it go. With a measured voice, Larson finds a path for how to move beyond logic during processes of trauma and recovery.Gut won the Omnidawn 1st/2nd Book Contest, selected by Jericho Brown. N° de réf. du vendeur LU-9781632430977
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Paperback. Etat : new. Paperback. These poems follow the aftermath of and recovery from trauma. Amanda Larsons Gut begins with an epigraph from Frank OHara: Pain always produces logic, which is very bad for you. From there, Larson launches an unflinching interrogation of how a young woman maintains agency in the wake of trauma, violence, and desire. Larson spins a conversation between works of feminist theoryincluding the those of Cathy Caruth, Susan Bordo, Patricia Hill Collins, Anne Carson, Helene Cixous, and bell hooksand her own experiences. The book moves through Larsons recovery while questioning the limits of the very term and of language as a whole. She employs a variety of different forms, including prose, Q&A poems, and a timeline, reflecting both the speakers obsession with control and her growing willingness to let it go. With a measured voice, Larson finds a path for how to move beyond logic during processes of trauma and recovery. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781632430977
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