Adrian Piper has consistently produced ground-breaking and transformative work that has profoundly shaped the form and content of conceptual art since the 1960s. Strongly inflected by her longstanding involvements with philosophy and yoga, her pioneering investigations into the political, social, psychological and spiritual potential of conceptual art have had an incalculable influence on artists working today. In conjunction with MoMA’s forthcoming Adrian Piper retrospective exhibition, and in collaboration with the artist, the Museum is publishing a ‘reader’ of new critical essays on her work. The publication will include six previously unpublished essays by established and emerging scholars. These narrowly focused essays will assess subjects of Piper’s work such as those that owe their framework to Kantian philosophy―which she holds a PhD from Harvard in; examine the turning point in her work from 1969–74 in subverting race and gender; and Piper’s intimate and authoritative artworks that examine xenophobia and racism.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Adrian Piper has consistently produced ground-breaking and transformative work that has profoundly shaped the form and content of conceptual art since the 1960s. Strongly inflected by her longstanding involvements with philosophy and yoga, her pioneering investigations into the political, social, psychological and spiritual potential of conceptual art have had an incalculable influence on artists working today. In conjunction with MoMA’s forthcoming Adrian Piper retrospective exhibition, and in collaboration with the artist, the Museum is publishing a ‘reader’ of new critical essays on her work. The publication will include six previously unpublished essays by established and emerging scholars. These narrowly focused essays will assess subjects of Piper’s work such as those that owe their framework to Kantian philosophy―which she holds a PhD from Harvard in; examine the turning point in her work from 1969–74 in subverting race and gender; and Piper’s intimate and authoritative artworks that examine xenophobia and racism.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Southampton Books, Sag Harbor, NY, Etats-Unis
Paperback. Etat : Like New. First Edition. First Edition, First Printing. Published by The Museum of Modern Art, New York, 2018. Octavo. Paperback. Book is like new with previous owner's notes and underlining throughout. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York. N° de réf. du vendeur 417359
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur HU-9781633450332
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Softcover. Etat : VG. Light shelf wear. Octavo. Softcover. Illustrated wraps. 276 pages : illustrations (some color) ; 25 cm. "Published for MoMA's retrospective exhibition and in collaboration with the artist, this volume presents new critical essays that expand on Piper's practice in ways that have been previously under- or unaddressed. Focused texts by established and emerging scholars assess themes in Piper's work such as the Kantian framework that draws on her extensive philosophical studies; her unique contribution to first-generation conceptual art; the turning point in her work, in the early 1970s, from conceptual works to performance; the connection of her work with her yoga practice; her ongoing exposure of and challenge to xenophobia and sexism; and the relation between prevailing interpretations of her work and the viewers who engender them". N° de réf. du vendeur 207336
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. Published in conjunction with MoMA's retrospective exhibition and in collaboration with the artist, this scholarly volume presents new critical essays that expand on Piper's practice in ways that have been previously under- or unaddressed. Focused texts by established and emerging scholars assess themes in Piper's work such as the Kantian framework that draws on her extensive philosophical studies; her unique contribution to first-generation Conceptual art; the turning point in her work, in the early 1970s, from Conceptual works to performance; the connection of her work with her yoga practice; her ongoing exposure of and challenge to xenophobia and sexism; and the relation between prevailing interpretations of her work and the viewers who engender them. Published in conjunction with the exhibition Adrian Piper: a synthesis of intuitions, 1965-2016 at the Museum of Modern Art, New York, March 31-July 22, 2018. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781633450332
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. N° de réf. du vendeur LU-9781633450332
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Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
Etat : new. N° de réf. du vendeur c0cc4511724bd5608dfdd46d35e9dd4c
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. pp. 248. N° de réf. du vendeur 370559496
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Vendeur : Prestige Books, Buxton, DERBY, Royaume-Uni
N° de réf. du vendeur 2090aa
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Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days. N° de réf. du vendeur B9781633450332
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Vendeur : Biblios, Frankfurt am main, HESSE, Allemagne
Etat : New. pp. 248. N° de réf. du vendeur 18375518685
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