Engineer, Agitator, Constructor, 9781633451087
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
We regarded ourselves as engineers, we maintained that we were building things’, declared Hannah Höch, describing a radical new approach to artmaking that took shape in the 1920s and 30s, in lockstep with the era’s shifts in industry, technology and labour, and amid the impact of momentous events: World War I, the Russian Revolution, the collapse of the Austro-Hungarian Empire, and the rise of fascism. Artists involved with varied avant-gardes – Dada, the Bauhaus, Futurism, Constructivism and de Stijl – reinvented their roles to create a dynamic art for a new world. This experimentation is richly represented in the Merrill C. Berman Collection, one of the most significant private collections of early-20th-century works on paper.
Published in conjunction with a major exhibition celebrating MoMA’s acquisition of more than 300 works from the collection, this richly illustrated book includes close readings of drawings, propaganda posters, advertising, architecture, exhibition installations, journals and theatre design. Among the themes it explores are the crucial role of collage and photomontage in the interwar period
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
hardcover. Etat : Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. N° de réf. du vendeur M1633451089Z2
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. N° de réf. du vendeur M1633451089Z3
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
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Vendeur : Chiron Media, Wallingford, Royaume-Uni
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. We regarded ourselves as engineers, we maintained that we were building things', declared Hannah Hoech, describing a radical new approach to artmaking that took shape in the 1920s and 30s, in lockstep with the era's shifts in industry, technology and labour, and amid the impact of momentous events: World War I, the Russian Revolution, the collapse of the Austro-Hungarian Empire, and the rise of fascism. Artists involved with varied avant-gardes - Dada, the Bauhaus, Futurism, Constructivism and de Stijl - reinvented their roles to create a dynamic art for a new world. This experimentation is richly represented in the Merrill C. Berman Collection, one of the most significant private collections of early-20th-century works on paper.Published in conjunction with a major exhibition celebrating MoMA's acquisition of more than 300 works from the collection, this richly illustrated book includes close readings of drawings, propaganda posters, advertising, architecture, exhibition installations, journals and theatre design. Among the themes it explores are the crucial role of collage and photomontage in the interwar period; the importance of collective authorship; and the impact of political, economic and social change on visual culture.' How the modernist avant-garde from Dada to constructivism re-conceived their roles, working as propagandists, advertisers, publishers, graphic designers, curators and more, to create new visual languages for a radically changed world Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781633451087
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